Day 6: The Studio @ Traveller’s Rest Hotel, Kisoro Story
…inyo. Here, they put down their track. Not at all phased by the use of headphones and mics, they take everything in there stride, performing a number of takes as the song develops. We start by giving them a simple click to follow the beat but quickly realised that their tempos are far more subtle than this. Francis comes back to set the rhythm with their natural clapping and it suddenly all came together again. Once we have the female vocals recor…
Day 3: From Nairobi to Kigali to Kisoro Story
…nd, or Wales in Great Britian and has a population of 11.4 million. It’s econony was devasted by the genocide but is recovering; a major source of its recovery is the tourist industry, centred on the famed mountain gorillas. Uganda: Known as the ‘pearl of Africa’ – it too is covered with hills and lakes. Like Rwanda it has the mountain gorillas. It is a completely land locked country. It shares Lake Victoria with Kenya and Tanzania. Crossing the B…
Kenya (Coast): Day 4 – the road back to Nairobi Story
…email from Jimmy. So I went and met Jimmy and Martyn at Jimmy’s office in London. We had a chat and I started I was more excited by the office supplies in that first meeting then Abubilla. I’d never been in a big office and I couldn’t believe they’d just leave pads of paper our and pens. All along there was a side idea about a project to Africa. I was very sceptical. I didn’t want it to be some holiday project. I have lots of friends who did the ‘…
Day 1: The very first field recording day for Singing Wells Story
…up is led by Nyerere wa Konde in the Mwenzele style. The group featured a wonderful percussion trio, with the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones) Mwenzele-Nyerere wa Konde Music Club Lungo (Bowl) and Ndema (rings) Zaire Ndindingwa The group is led by Fundi bin Kalale in the ndindingwa style. Wonderful percussionist using two shakers and a whistle (filimbi). https://youtu.be/cvpcF…
Guy Morley – No Nation News
…Guy Morley is music programmer for the Big Chill festival – one of the highlights of the UK’s cultural calendar, and is the founder of No Nation, an independent arts programming, production and promotion company. No Nation has developed links across East Africa and has recently worked on a project for Sound and Music looking at the influence of early American country music in Africa. …
Lake Turkana Cultural Festival 2011 News
…to ‘overcome tribalism in the region and to promote peace and reconciliation among the local communities around Lake Turkana by giving them an opportunity for cross-cultural cooperation and exchange, both in the preparation and in the course of the Festival. During the three days Festival, representatives of the Rendille, El Molo, Pokot, Samburu, Turkana, Gabbra, Dassanech and Borana present their respective customs and living conditions, spectac…
Discovering music roots with SWP News
…as his size would allow, Pato was the always cool and calculating professional on an outing, Jesse grasped the audios with gusto under Andy’s watchful eye while Tabu barked orders and I made sure we were at the right place on the GPS (the latter two had also special duties of Executive Drivers). Winyo made sure that we came back with a bridge between his melodious voice and the harmonies of the Giriama and Digo. Back to Jimmy. We discussed a few…
More Ketebul voices…Steve reports from the field News
…ols 9, MOTU traveler interface, a 500mb external hard drive, and 2 ART headphone amps. There was also a 2 bags with mic and instrument cables, power extension cables, 8 pairs of headphones, mic stands, boom poles, 2 Rodes NT5 mics with dead cats (no animals were harmed in the acquisition of the dead cats!), 1 shure sm58 and 1 shure sm57 mic, and 2 AKG C414 mics. Patrick, our video guy, also made it to the studio a short while after me, and Jimmy h…
What we learned from the pilot phase News
…equipment and bring at least one other person for November. Far more time on Fusion: The Singing Wells concepts works brilliantly. We can really bring these traditions alive. We did not spend enough time, though, in the villages, letting contemporary artists work on jointly created music. When we did, on days 1 and 3, the results were great. So we’ll bring more Ketebul artists to the field and will spend more time on new material. Be Far Clearer…