All field reports have now been published and provide links to youtube videos! Story
…You can now see all Field Reports for February 2018 trip to Kenya. If you want to link directly to youtube videos you can do in field reports or go direct here. A detailed account of the trip written by Kahithe Kiiru is available here….
Bungoma Roots Band Group
…ards. However, after years of hard work and managing to record multiple records, they needed to bring in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses of their own….
Fanuel Amimo Group
…om Shianda location of Butere sub-county (Kakamega County). With age, he unfortunately lost his sight but still as ever before continues to play omutibo. Raised in a family of musicians, Amimo started playing in early childhood. H recorded his first single in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his…
Pius Wafula Group
…with a famous local group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of…
Kizazi Kipya Kidumbak Group
…h the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus (all female): Khad…
Day 9 – Sunday 9th July 2017 Story
…st current updated version: “Revision of the Hornbostel‐Sachs Classification of Musical Instruments by the MIMO Consortium” dates from 2011, published by Musical Instruments Museum….
Conclusion: Challenges and Recomendations Story
…th their description in an interview. If we had done detailed preparations for the field and a recce, we could have informed the makers of all the stages we wish to record and have them prepare several instruments at different stages of completion to facilitate and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 1 – Saturday 1st July 2017 Story
…e tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…ative units that culminated into the eleven chiefdoms that later united to form Busoga [kingdom]. When the central government abolished kingdoms in 1967, the bigger administrative structures were weakened. Clans remained because they represent people’s birth, life and death. The larger more political structures [ie. the eleven chiefdoms] were demonized by the central government and all meetings at that level stopped. When the top structures died,…
Kahithe Kiiru Staff Profile
…dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu(2016) and Singing Wells Masters of the Nyatiti(2017) and Signing Wells Western Kenya(2018) projects….
Day two: From Sirisia to Mabuyole Falls Story
Monday, February 19, 2018: Woke up early and drove to Sirisia to record the band Namatete. The band was founded by Weput Khulu Namatete in 1992. He and his friends gradually made instruments and learned to play them while taking care of their cattle. By 1992 they were good enough to call themselves a ‘serious’ band. The founder started by playing the Lituneu. His brother joined him for a while and brought the Shirili, the single stringed instrume…
Day Three: Bungoma Town to Kakamega Story
Tuesday, February 20th, 2018: Today, we returned to record Wilbert Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005…
Day Four: January 21 2019 Mwanza Story
…Mchele Sanaa Group: This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and…
Hannah Calascione Staff Profile
…t before she starts her degree in Anthropology at Cambridge University in 2013. She is joining the Singing Wells team for the field visit to Northern Uganda 2012 and has researched the area in great detail, writing reports on the tribal groups and their music and traditional instruments. Hannah will be armed with a microphone as she interviews the musicians and documents their oral histories, providing the all important context for the songs and d…