Bigilia Group Group
…and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kuse…
Bungoma Roots Band Group
…s, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard work and managing to record multiple records, they needed to bring in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses of their own….
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…er” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music archived by ethnomusicologist Hugh Tracey in the 1950s. Fifty Cows continues to be an active contact for the Singing Wells in the Rift V…
Fanuel Amimo Group
…ngle in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwana Yenyang…
Kizazi Kipya Kidumbak Group
…h the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus (all female): Khad…
Instruments Introduction Page
…we are at times, recording instruments that we have never seen or heard before. In some cases we manage to purchase instruments for our own Singing Wells instrument collection back in the UK. Where we find an instrument that we have not seen before, we make sure we record it, photograph it and research it. This page features a selection of the instruments we have found so far on our travels. The instruments are tagged by their ethnicity, thei…
The Northern Tribes of Uganda Album
…Alur Kingdom Troupe. Later that day we were treated to Cieng Dwong back at Fort Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampala was followed by a recording in Naguru, recording the Adungu Cultural Troupe and the Watmon Cultural Group, before heading back to the Entebbe Guesthouse to record more with the Watm…
What We Do Page
…talented or exciting musician or music group. When this happens we arrange for them to travel to Ketebul Music in Nairobi to record their music in the studio. Many of these studio sessions have contributed to the Singing Wells ‘Influences’ series (see below). A permanent archive of East African Music During our field visits we collect a vast amount of audio and video recordings. Our mobile studio allows us to record audio via up to 8 different pro…
Day Four: Ikolomani to Amalemba Story
…fers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they are the real owners. Mukangala instrumental as influences session with Fadhilee, our influences artist. W…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
3. Background of the Naizungwe drums Story
…95 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Conclusion: Challenges and Recomendations Story
…th their description in an interview. If we had done detailed preparations for the field and a recce, we could have informed the makers of all the stages we wish to record and have them prepare several instruments at different stages of completion to facilitate and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a…
Bill Odidi Staff Profile
…nga Rhythm and Retracing Kikuyu Popular Music. Bill says, ‘Music is the heartbeat of a people. Where there is music there is life’. …
Fadhilee Itulya Staff Profile
…e has written over a hundred songs, but has recorded only five so far: ‘Jawabu’, ‘Dance’, ‘Um’beba’, ‘Tired’ and ‘Selfish’. He is working on eight more to complete his debut album. He has performed at the Mathewmatix House of Jazz, the Kinanda Festival, the Choices Thursday Night Live, Sarakasi Dome’s Forgotten Furahiday and The Treehouse Live….