Adagha Nalya Drama Group Group
…l Waiswa of old who used to shy away from women. It is a common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”: When a chi…
Liwambwe Group
…ars. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need…
Recording, archiving and sharing the traditional music of East Africa Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Fanuel Amimo Group
…produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwana Yenyanga Nyina’ and “Rosa Nokhwebwe”, accompanied by Akwabi’s band members. His guitar plucking technique was extremely inte…
Day 2 – Sunday 2nd July 2017 Story
…aking a nyatiti (patas, pel, etc.); learn details on choice and procurement of nyatiti skin for the resonator; note on methods of attaching strings to the resonator; and confirm that transmission of skills was traditionally done solely by observation. Obong’o also spoke of 3 witchcraft stories associated to competitions and explained the fact that culturally there were no women players by their lack of energy and interest. Finally he corroborated…
Introduction: Project overview and objectives Story
…and Siaya Counties in Lake Region of Kenya and Nairobi City in the period from 1st to 12th July 2017. https://youtu.be/NqomPAxomxI “Masters of the Nyatiti” being a pilot programme for a new project series under Singing Wells, one of the objectives of this report is to reassess the original concept based on experiences from the field and to point out encountered challenges and difficulties in meeting concept objectives. Thus, I hope that this docu…
Day two: From Sirisia to Mabuyole Falls Story
…had a Magic Moment with just percussion from the group. We then travelled to Lugulu to record Plus Wafula. We were in a stone quarry to record them next to Mabuyole Falls. Beautiful but hot. We were recording Webuye International Band. They played in the Tinkikti style. The group was formed in early 2000, when founder Webuye Juakali was a backup singer for separate band. In 2009 he became the main singer of the band. It has the following instrume…
Shem Tube Group
…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….
Day Three: Bungoma Town to Kakamega Story
…acoustic guitar on another version of Ndirenje. We travelled from Bungoma Town to Mumias (which was a lot longer than it should be as we travelled the wrong direction for 30 Kms, initially.) But we eventually arrived in Mumias to record Mumias United, a very large dance group. The group was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tr…
Day Five: Ilesi, Khayega to Kisumu Story
…the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the y…
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…on our site – such as embedded videos from YouTube, may also cause cookies to be saved to your machine. The other services we use on our site include Facebook, Twitter and Flickr. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the s…
Nile Beat Artists Group
…r of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits he…
Ndagwa Msanga Group
…are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Richard Sewanyana Group
…o play the flute in the palace but he was aging and wanted a family member to continue to play. I tried to play with him all the time and learned a few songs. In 1966, I was taken to the palace as a servant boy. My father also wanted to play the flute and replace his father. But he tried to play and failed to learn. But he pretended to play at all performances, acting like he was blowing the flute while his band-mates played. My father was in the…
The Best of Singing Wells 2011 Album
…A collection of some of our favourite tracks from our trip in 2011. NOTE: some of the tracks on this album also feature on the release ‘The Batwa of Kisoro’ under different titles. …