Day Three: 9 March 2022 (Kisumu) Story
…ba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Camp, right by the shores of Lake Victoria. After a quick survey, our camera crew settled for a spot indoors, next to the fireplace. Lined up were three musical acts and the first to arrive was Peter Akwa…
Namaddu Troupe Group
…o suffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they…
FAQ’s Page
…of our material. Maybe you could help with our fundraising efforts. Please get in touch and let us know how you would like to help. Will you come and record my band? We have a schedule and a plan for the next 3 or 4 field visits to East Africa, so any groups we record would have to be within designated areas where we plan to travel. We’d love to hear from anyone with new suggestions for field visits. Can I join you on your next recording trip? Ple…
Influences songs from Singing Wells Group
…ves of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Kete…
Bigwala Instrument
…decades, on social occasions. Bigwala describes a set of five or more monotone gourd trumpets blown in hocket to produce a melody, accompanied by a specific dance. A typical performance begins with one trumpet; other trumpets then join in followed by drummers, singers and dancers in that order. The singers and dancers move in a circular formation around the five drummers, swaying their waists gently and raising their hands with excitement in time…
Field Recording Report by Kahithe Kiiru Story
…is is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds. The group performed 5 songs accompanied by virtuoso dancers who performed, individually or in pairs, a dance centred on pelvic movements. We also recorded our influences artists – Fadhilee Itulya, performing one of his original c…
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…he Kalenjin, which was the focus area for the Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their musi…
Chibite Group
…s on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: Streamlined. Malugaro: And a Magic M…
Here for Research? Page
…stain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences.”…
Day Three: Bungoma Town to Kakamega Story
…travelled to Bungoma Town. They rented a small house and lived and played together. This was about 2007. The band members held day jobs, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. Wilbert worked as a butcher and others road Boda Bodas. Eventually, they also started to gig at the Rengekha Bar. They were paid 200 shillings a night. As a band, they agreed they would pool all their day job money a…
Hiari Ya Moyo Group
…urging the youth to be brave in facing the challenges in everyday life Mwanana: a song in praise of one’s friend. Lyuwa Laloka: it is sunset and time to conclude whatever business and return home to your family…
Day Two: 8 March 2022 (Ilesi) Story
…resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with the guitars that were to back them up. One of the band members played the harmonica but it was only in the C key and so it was left out of the recordings of songs on different keys. Guest musicians Fiston, Ben and Gido also had to take a little time to play in sync with the polyrhythmic be…
Shitakha & Balozi Band Group
…bo. They use drums and shiriri, but also a Shikhorli which we haven’t seen before. This is a shaker/bell, where two ball bearings of different sizes/tones are welded into metal pouches and then he plays. Moses is considered the best Shikhorli maker in the area. Here’s the band….
The Best of Singing Wells 2011 Album
…A collection of some of our favourite tracks from our trip in 2011. NOTE: some of the tracks on this album also feature on the release ‘The Batwa of Kisoro’ under different titles. …
Muwewesi Xylophone Group Group
… Muwewesi Xylophone Group featuring Muniru Ayubu and Kisubi Eliasa on lead vocals. Song meanings “Obutasoma”: a song about education. “Obwiire Bukyeire”: meaning ‘the time has come’. “Obwayu”: a song about poverty. …
Day 3 – Monday 3rd July 2017 Story
…interview was Sewa’s description of the small pointy decoration on the bottom of the resonator we had previously referred to as ‘the nipple’. According to him, this is in fact the umbilical cord of the instrument (in vernacular pende thum), which makes the resonator stronger and more difficult to break. Finally, Sewa told us he got the knowledge of nyatiti making from his step‐father and commented on the custom of making a sacrifice upon completi…