1. Introducing the Naizungwe drums Story
…s of high skill to avoid wastage of time. We will listen to the recordings together with the youths. Then we make sense of what is played in the recordings. After that, we will play the rhythms slowly until we can reproduce them. Then we will add the singing. This can be done by any musician who is hard working. We hope the final performance will be a reflection of our musicality and what we hear in the recording.” We will be documenting the progr…
Day 4: Tuesday, February 21st, 2017 Story
…session for a further five. Here’s the full group including Henry, Rajab, Tomato and Leo: Here’s Tabu: Here’s Ndahani: Here’s Grace: Part one: We recorded with Chibite players only: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He…
Day 3: Monday, 2017 February 20th Story
…these traditions are dying away. These rites really help keep the village together and is part of our civilization.” There is a similar rite of passage for the boys in the village, but they go to the bush. The dance and celebration is very similar to what we saw. Here’s the beginning of the ‘hidden girl’: And here’s the end, with the girl’s eyes sheltered from the sun: Chibite We said our goodbyes and then moved on to the Boma Village, where we r…
Day 2: Sunday, 2017 February 19th Story
…ould like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it, you will drink it. Kiingereza (English) This is Leo’s song from his album, Bangili (bangles) This was a wonderful day of recording for three reasons:…
Day 1: Saturday, 2017 February 18th Story
…g to recreate that one riff. It took me three months of non-stop listening to get it down. And that was just 30 seconds of his lifetime of drumming. All I want to do is master his style.” As Daudi mentioned, Mzee Morris became the sound of Tanzanian news. The TBC announced each hour with a drum riff of his drums. Every hour, for decades. He was honoured in his time, with the then Prime Minister creating a specific post for him, so he could continu…
Fundraiser for Matthew Watmon News
…followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appre…
Ketebul Music presents Shades of Benga Online News
…low, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shap…
Our journey to the Royal Drums: in the words of James Isabirye Story
…a chance to interview James Isabirye about how and why we found ourselves together. This is a summary of that conversation, roughly in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a car that seemed to be driving as fast and far left to right on the road as forward. Betwe…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…ad rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and all they did was play music. In most cases they received no other education and in most cases they played until they could play no more and their ‘retirement pension’ was the salaries of the sons or grandsons they were able to train and bring into the palaces. Their musical lives were…
Recce to Tanzania for our 2020 Field Visit News
…February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts from their database. Getting a private crash course on the ganun from ganun virtuoso and teacher Rajab. In a few previous instances,…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…ormation of the kingdom we played a couple of times but we have not played together since the sixties and no one listens to the music and the king never asks for musicians.“ Of course, each of these discussions is disturbing, but we share them to give you a sense of the desperate situation with this music. We have told you of the royal drums and our efforts to revive them. And of a younger, incredibly passionate drummer, Shaban, who is now extreme…
Singing Wells Youtube Channel hits 2.5Million views News
…pilot trip to Kenya. Seeing the generations of Nyerere’s family performing together was a special moment (his son Mr Bado is also a musician). We captured a great fusion of old and new https://youtu.be/-MU13FLg_io You also need to check out the Elgon Ngoma Troupe, performing a traditional circumcision ritual dance. Please keep following our channel – with new videos going up there’s always something exciting to discover and share. https://youtu.b…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…d and caned. And they kept asking people where the King was. I didn’t want to get beaten to death so I said I knew where the King was. I was the keeper of the Throne Room Key at that point, so had a key to one of the Throne Rooms. So I said I had this key and knew the King was hiding in the room. They told me to take them to the King. Well, we were very close to that Throne Room, but I didn’t want to get there fast. I needed them to calm down and…
The Entenga Drums: Part 1 Story
…le for the drums’ revival. James Isabirye met with Musisi and they set out together to revive the drums. They worked with Shaban, a professional drummer, and John and Albert Ssempeke, who have kept many royal instruments alive, to relaunch the drums. Essentially, this took four major steps: Rebuild the drums: they needed to re-assemble the drum kit, building each of the 15 drums and re-making the Enga, the sticks used to play the drums (named afte…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We sang every song we knew. We sang the whole night. We were learning about our cultures and rituals as we sang but we didn’t know that. We were just singing. I was reminded on Day 3 that this is their way of life and it is pure joy. This was very deep. SW: What most concerned you? GT: What really concerns me is that the resources we have at…
The History Of Benga Music: A Report by Ketebul Music Story
…with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement and sectioning mark benga apart from other music. Luo guitarists long cultivated a unique technique of playing the guitar. They commonly do not massage the strings as their Congolese counterparts do but rather they pluck and pick single notes rapidly in a fashion akin to playing a nyatiti—the traditional lyre of the Luo people. Benga is undoubt…