Music of the Royal Palaces Story
…In 2016 we continued our recordings of music of the Royal Palaces, which we started in 2015. You can read our report on the Royal Entenga Drummers in the 2015 field report….
Day 6: Thursday, February 23rd, 2017 Story
…rris We then interviewed Daudi about Mzee Morris: “I met Mzee Morris when I was younger and saw him play. I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, because his drums was used hourly to announce the news. I spent three months trying to learn the drum riff he used. I could never understand how a blind drummer could remember where all 10-12 drums were. Amazing.” Here’s Daudi:…
Day 4: Tuesday, February 21st, 2017 Story
…full plate is a metaphor for an abundant life and good harvest) Part two: We then brought in Henry and Leo Mkanyia, Rajab-Alli Morris, Steven Jonas (Tomato) and Elliot Wenman and Sophie Grant to play five more songs. These were: Marugaro Sanaa: arts Chipela: When you’re hungry you gather lots of fruit from the fruit tree). This song featured Ndanhini on the thumb piano who created the most amazing rhythm, which played off Henry’s bass brilliantly….
Day 3: Monday, 2017 February 20th Story
…e drum. Our sessions are typically filled with lots of smoke and video of drummers running back and forth in/out of camera range tuning their drums as they play. See example: Here’s the Group: The group played 6 songs: Ndio Kwanza (We’re just starting and haven’t done anything yet) Mama Shughuli Yako Tomeiona (Now, you’ve seen how we play) Boga (Pumpkin), or Mboga in the local dialect Nina Ubembeleza Undugu (I’m begging for us to be brothers) Drum…
Day 2: Sunday, 2017 February 19th Story
…say’ Utalikologa Utalinywa: If you mix it, you will drink it. Kiingereza (English) This is Leo’s song from his album, Bangili (bangles) This was a wonderful day of recording for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a…
Day 1: Saturday, 2017 February 18th Story
…or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and music education in the Department of Performing Arts, Faculty of Arts and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Fundraiser for Matthew Watmon News
…his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project,…
Ketebul Music presents Shades of Benga Online News
…music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your or…
Our journey to the Royal Drums: in the words of James Isabirye Story
…ogether on the ‘Bigwala Model.’ So after Singing Wells left, I started the search for the drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last p…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…and shortest, sharing the same note as the Enkologi, but octave different. Today, they were supported by the royal drum, Mbuutu (not to be confused with the 15 drum ensemble of the Entenga). They played the following songs: Sematimba ‘Ne Kikwabanga Anamwa Nganga (with accents over the ‘g’s’) And with that, we faced a thunderstorm and packed ourselves up for the hotel, and packed in the hotel for our flight on December 4th back to Nairobi. We will…
Singing Wells Approaches 5 Million Views News
…East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Recce to Tanzania for our 2020 Field Visit News
…search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts from their database. Getting a private crash course on the gan…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…e the King’s entrance and exit, or to ‘proclaim’ something, much like the trumpets of English kings. It is vital that they not be lost and we have actively support the restoration of the Bigwala – and through this project have discovered the Bigwala Model (more on this in a moment). But it is not clear that a contemporary musician will incorporate these instruments into their music – they might be ‘of a time’, and ‘need a king or two.’ Entenga dru…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…rviving’ and we would love to be proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…d, “They would all have been made by people in our village. But for royal drums, our drum makers were invited to the palace to make the drums on site, next to the King.” He said that every child in his village loved to make drums and viewed it as a good trade to create pocket money. “If you ever need money as a child, you helped the drum makers and learned the craft.” Abass did this and was a casual drum maker with a friend of his. But then his fa…