Kochia Traditional Dancers Group
…ear. Lead by Alfred Migure, they have built a reputation for themselves as one of the most exciting groups to perform traditional Luo music, with their vibrant regalia and dance moves to match. Their brightly coloured outfits (replacing the more traditional clay colours that dancers would adorn themselves with) are augmented by attention-grabbing ostrich feather headdresses (the ostrich, a symbol of beauty and courage, represents the courage they…
Otacho Young Stars Group
…larly impressive, with ongeng’o rings used both by themselves, and also together with the Nyangile, a wooden box topped with two of the rings, one of which is held with the feet, and beaten with a stick….
Day 2 – Sunday 2nd July 2017 Story
…act that Meshack picked up the instrument only once his father had passed away brought about several hypothesis on the meaning of this generational gap and questioned the possibility of an existing cultural taboo concerning two generations of players from the same home playing actively at the same time. From K’Orengo’s homestead we went on to a second location in Kaluo Umaje village of the same constituency where we met our first nyatiti maker – O…
FAQ’s Page
…Africa. Or you could sponsor one of our annual CD/DVD collections. Either way, we guarantee that your money will be spent on the ground in Africa. (Note: representatives of Abubilla Music who work on the project are either volunteers or are personally funded. No third party donor money is used to support their expenses). Who owns the Singing Wells recordings? The ownership of the original songs remains with the performers who receive a performanc…
Privacy Policy Page
…you aware of this without being too intrusive, so we feel this is the best way to do it. You’ll also notice that all sites are starting to do it. The directive says that functions that are essential to the site are exempt, so sites with shopping carts that remember what you have added etc. won’t have to ask you, but sites like http://www.bbc.co.uk do – and you will notice them asking you about it. The ruling was passed a few years back, and they…
Day 3 – Monday 3rd July 2017 Story
…ral tools: an axe, a panga and a chisel (koyo). Once the shape was almost done, we went for a second walk – down to a stream in which he had laid a piece of cow skin. This piece was placed on the resonator and installed using nails. He would then wash it with soap. The stages of nyatiti making we could not see were described later in an interview. Sewe explained how he treats siyala wood, from which arms and head of the nyatiti are made. He buries…
Albums Introduction Page
…ells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experience…
Day One: February 16, 2020 (Ngawala Hotel) Story
…Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The drums include: the small squat drum (Fumi), a very tall drum (msondo) and medium drum (Kinghaga). They played 8 songs, including:Aiche: Introduction Song Mamae Mwari: Mwari’s Mother Mpanda Waya: Someone who climbs a wire/cable, but really is very suggestive about a man Sikia Msondo: Listen to the Msondo, which is the tall drum Unyago Wangu: A song about the drums. Ma…
Day Three: 9 March 2022 (Kisumu) Story
…Lined up were three musical acts and the first to arrive was Peter Akwabi, one of the few surviving omutibo pioneers from the era of George Mukabi. Akwabi’s rubato musical style was quite a challenge for both Fiston Lusambo and Ben Mukabwa. It took almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings…
Day Zero: 6 March 2022 – Travel To Stream Story
…ians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wher…
Global Influences Project: Artist Submissions Page
…to include African sounds, and we just LOVE that! “Loops are such a great way to start a track for me. They are a great way of finding inspiration, and i particularly liked the rhythmic elements that these loops have. They have an organic sound and are not exactly on the grid because the instruments are played by people. in the case of Watmon Cultural Group loop for example, the plucked instrument provides both melodic and a groove to the track.I…
Here for Research? Page
…, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind a…
Adungu Instrument
…also recorded an Adungu group in Kampala, as we passed back through on the way to Entebbe. It is an arched harp instrument with between 7 and 10 or more strings. They vary in size between smaller instruments, played close to the body and the larger bass adungu, on which the player can sit. The sound box is commonly covered in animal hide, and is also at times used as a percussion instrument – by a musician sitting behind the adungu, hitting it…
Elgon Ngoma Troupe Group
…usuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving…
The Revival of the Entongooli Page
…ts with another fascinating and popular instrument, the Embaire or the Xylophone. The scolars are taught the tunes they need to know on this instrument before transferring these melodies over to the Entongooli. What’s incredible about this entire process is how the children are also taught about building the Embaire as well, creating instruments for themselves to learn on. In this first part, we look at how selecting the correct tree’s are integra…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…is band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t ma…