Day Three: 9 March 2022 (Kisumu) Story
…ukabwa. It took almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of t…
Day Two: February 17, 2020 (Stonetown) Story
…for Diana”) who had helped them develop their look and movements. They had one lead singer and two men on drums. One planning a small drum and the other playing three large drums on the floor while he stood and leaned over. Overall they were very impressive and unique. Truly beautiful. 3. Zam Zam Group – From the hotel we moved on to the Dhow Countries Musical Academy, which is located in the old custom house. Here, we recorded the Zam Zam grou…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t…
Albums Introduction Page
…ks on the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that w…
FAQ’s Page
…ject are either volunteers or are personally funded. No third party donor money is used to support their expenses). Who owns the Singing Wells recordings? The ownership of the original songs remains with the performers who receive a performance gratuity from Singing Wells. They give consent for us to publish the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use…
Day Two: 8 March 2022 (Ilesi) Story
…e patriarch and founder of the group, Obasie Palnyang, was still alive. By one o’clock the group arrived and our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of…
Global Influences Project: Artist Submissions Page
…fluences Project, head to singingwells.org/global-influences-project SHONA X EKHUNJWE MUSICAL GROUP This next collaboration comes from DJ and producer, Shona. This is our first submission using the beats from the Ekhunjwe Musical Group, and we love how this music has been transformed from traditional dance accompaniment, to a house track that you could hear in any major club this summer! “It was a thrilling and humbling honor working on those chan…
The Batwa of Kisoro Album
…as it was empty. The Togetherness group gave us a spirited performance and one of the tracks is on the album. The remainder of the field recordings were made at the Travellers Rest Hotel in Kisoro – battling through torrential rain, a storm of locusts and power cuts to be able to record. The Kabahenda, Gatera and Micyingo communities performing for us under the veranda of the hotel. Also included is an influences session where Winyo collaborated w…
Maisha Bora Suba Group
…mbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandus…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…ndure. After these two songs, Julian took over the lead with his drums and xylophone to play Chiina Chedya Mayi, a beautifully chilled song about the loss of a mother.. Here is their music: The Elgon Hero Brass Band Following this very traditional tribal music, the contrast couldn’t be greater – on marched the Elgon Hero Brass Band. Here’s the band with our Influences artist, Jacinta. They performed the following: Malaika (Influences): They starte…
A quick summary of the Singing Wells Project News
…the men. The rest were filled with bloodlust, however, and moved to the next village and killed everyone. The Macedonia Band, a Likembe band (think thumb pianos on steroids, sounding like a calypso band), played in the rebel camps and within the rebel held villages. Aware that the political tides may change, the band leader was careful to not play rebel songs and stuck with very traditional songs far away from politics. The tides did change, the…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…into the right routines, we can learn more and more from each trip and get better and better. For the March Pilot in 2011, simply getting audio equipment to work in the field was the most important routine. Don’t underestimate the learning required to set up 8 mic recording session in the dirt, surrounded by cows. By Kisoro and the recording of the Batwa, audio was fully sorted and the team could set up and breakdown in about 20 minutes and record…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…d of Freedom was known by everyone and served dozens of times to spare someone a fast execution as a collaborator. We then arrived at Joshua’s village. It was the most beautiful we’ve seen with four-five small thatched huts, each painted with patterns. There was a large clay oven in the middle of the village and the whole grounds were landscaped with flowers. The village was so well swept and so often that you could see by the raised area under th…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…at least three major steps. There’s the formation of the brick, typically done near the road, mixing clay and slapping big blobs into molds. Then there is the drying, where oodles of bricks are laid out along the road. And then there’s the firing, where brick are stacked up to about fifeteen feet and then ‘sealed’ into a clay oven that is constructed around them and cooked. We see these ovens in all states of repair from being built, to the firing…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…travel. They had about 15 bul (drums) and 2 drummers and a smallish ndara (xylophone). Their lead male singer was about 6 foot five and commanded the whole group and the growing audience with a loud voice, great dance and fun drumming. They sang Myeli, Wuon Nyaci, Cwara Rac, Ngeta Romo, Atyekedec Gen, and Apako Orang’a. Each of their songs followed a rough pattern: the lead singer sang out the main theme of the song and the drumming started. The d…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…rument imaginable: The Flute (yep, a flute) The Ndara (the amazing Ugandan xylophone) The Rigi-Rigi (similar to the Kenyan orutu) The Agwara (trumpets) The Adungu (the harp we’ve encountered every day now) The group was formed in 1993 and is professional, touring Kampala and other parts of Uganda, sponsored by NGO’s and typically campaigning for things like HIV Awareness, Cultural preservation, etc… Except for the fact they wear clothes under thei…