Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…t decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings Part one: reflections We are sitting on the grounds of the Kampala Museum, surrounded by examples of grass huts from the various regions of Uganda. These are empty, display houses, not homes – put up to give visitors a sense of a rapidly dying village culture. They are beautiful because they reflect the organic simp…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…s at the palace for generations. I started to play at the palace in the 1940’s and believe I was born around 1929. Sadly, at the time of Hugh Tracy I also wasn’t good enough to be on those recordings. We lived in the palace and when we were needed to play we played for the king. I loved it. During the attack in 1966 my friend and I were at home. After the attack we didn’t go back. But in 1967 they brought us back to pay some wages and thank us for…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…the bottom and will wrap up from the bottom of the drum and end up about 50% up the drum’s length. So this piece was about 30% larger than the drum’s bottom, which is smaller than the top. 5. Stage one of stringing the drum In the first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, h…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd seeds and started coordinating farmers to grow the next generation of trumpets. There are now four trumpet groups and about 20 trumpets, with many more growing in the fields in different parts of Busoga. Everything about the Bigwala model has become…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…s gardens. The King asked him to go out and report any news. He came back 10 minutes later and said the soldiers were now far closer having broken into new rooms closer to where we were. The King asked him to go out again and find any other news. The man didn’t return and the King told me that meant he was killed and we must run. Soldiers were everywhere. He grabbed me and we ran through several palace gates and came into one of his Throne Rooms (…
The Entenga Drums: Part 1 Story
…. Hugh Tracey, the great ethnomusicologist, recorded the Entenga in the 1950s, and thanks to the International Library of African Music we brought his recordings with us and have repatriated the music back to Uganda. In addition, Lois Anderson recorded some performances of surviving musicians, wrote about the tradition and published transcriptions of about 26 tunes. His articles, ‘The Entenga tuned-drum ensemble’ (1968) and ‘Essays for a humanist:…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…rely lets us scratch the surface. We did 5 songs per group, but they have 100. We could have had a dozen people come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a…
The History Of Benga Music: A Report by Ketebul Music Story
…t African countries—Kenya, Uganda and Tanzania—covering an area of over 68,000 square kilometers. The Luo who live around its shores in Kenya speak a western Nilotic tongue distinctly different from their Bantu neighbours to the north and south, and their Kalenjin distant cousins to the east. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a stea…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…to record a set of legendary musical artists – all of them in their late 60’s-70’s, all of them critical to Kenyan music history. These artists were: Ochieng’ Nelly Mengo Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. The guitar came to Kenya after WWII and inspired a lot of young men who were steeped in village music. One of these was Ocheieng’ Nelly who got his first guitar in 1961 and his playing was shaped by the Luo Nya…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…ly children from the trip! We packed for a final time and departed for Nairobi. We made pretty good time to Ketebul music, where we unloaded our gear. Then we headed for the Fairview, a 20 minute drive that took about 90 minutes due to traffic! We all crashed early knowing we had almost a week in the studio starting tomorrow morning!…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…route: Irimbene Cultural Dancers and Self Help Group This group formed in 2000 with 21 young men. They are led by Edward Kiogura. This is Authi style, they are Ameru from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, is performed by John Mwiti. The group was in beautiful costume and so energeti…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
After a quick breakfast, we loaded up and departed at 09:00 for a 10:00 session in Kangema. Here’s our map: Our first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
We all met at the Fairview at 5:30 AM, packed and departed at 6:00AM, travelling from Nairobi to Kitui, on the Mombasa Road, arriving at 10:00AM. We picked up our local contact, Dominic Mukora, and drove to the Kiongwe Market to record our first group. Here’s our route: The site passed the first Singing Wells test, lots of chickens and children; we find their noises the perfect backing track for all our recordings. The market structures were beau…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…has been our primary contact person to support this trip (e mail: lkoome2000@yahoo.com) Raphael Sipalla (Audio 4) our ‘Influences’ artist (e mail: ruffmaud@yahoo.com) We will be interviewing them throughout this trip to provide additional color to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from the trip that follows: Tabu Osusa STEVE KIVUTIA & PAT…
A Tanzanian Effort to Salvage the Music of the Past News
…about the music of the past, so they will like it.” With an estimated 250,000 hours of material on reel-to-reel tapes and vinyl records, some of it in an advanced state of decay, the task of the Tanzania Heritage Project is certainly a daunting one. But Benson is convinced that once it’s made available, his fellow Tanzanians will rediscover their love for muziki wa dansi. Nor is it just about Tanzania; Benson also has a bigger point to prove abou…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ But we had one last special treat of music. We then played for Jovah an influences session with Eddie Grey, where he produced Inyange. We played it back to her and she danced with her new baby, Gerald, for the full song. She said that her h…