The History Of Benga Music: A Report by Ketebul Music Story
…the demand for session musicians went down. Many of these pioneer ‘sessionists’ have since passed on. Only a few of the sessionists are still in operation. They include Osumba Rateng, wo has since relocated from River Road to his rural home in Sega, Siaya County. And as new trends emerge on the market and technological advances pose new challenges, Benga continues to hold its own as the definitive Kenyan sound. END Reprinted for MIA with permissio…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ed traditional music – but I kept telling them I was taking their music to new places. We knew we were on to something big because everyone responded well to it. I think it is fine to be creative and innovative and rebel – but be a rebel with a cause. Too often kids rebel without a cause – they aren’t rooted. I was a session musician at AGS (African Gramophone Studio) and CMS (Capital Music Studio) studios, both on River Road. I formed Sega Sega a…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…ll in Nicabune’ – it is a song to prepare the boys being circumcised for a new thing that is about to befall him, e.g., the circumcisers knife, responsibility (new ones that they don’t have), not going back to the mother’s hut, etc… In this context, the knife is cutting away his old life and forcing him into a new life. Ruuji rukuru, led by John Gitoriga, means ‘old water’ and is a song to prepare a boy for manhood. Water is a cleanser so the wate…
Naizungwe Drums News
…by long time Singing Wells partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeav…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…preparing the next take. They also handle the end, usually asking a whole new set of questions about the songs. The video and audio group then break down most of the set, but Audio 1 creates a mix of the session and plays back key songs, while creating a CD of the performance to give to each group. Very often this is the first time the groups have heard themselves over speakers and will be the first recording they have. We then breakdown final mi…
Entenga: Performing twice for the king of Buganda News
…e then invited to shake hands with the king, and upon learning that James knew ethnomusicologist Peter Cooke, the king invited them to the palace to perform. They performed the song “Ganga alula”, a version of which we recorded during our visit in 2016. James played the Kyawakati and Entemyo, John Ssempeke played the Nakawombe and the younger boys played the rest of the drums. This is a wonderful story for the Entenga players, and it is really enc…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…h below. The group practiced and performed two songs: Ugandan Lullaby: We knew that Jovah and Maita knew lullabies and James came up with the idea of doing a combined lullaby involving each of the singers, using a traditional song from their village. James directed the group through rehearsals and Maita played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Here’s the Lulla…
A Tanzanian Effort to Salvage the Music of the Past News
…about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archives are other historical gems, including speeches (there’s one the Aga…
Central Uganda: Day 6: Kampala to Entebbe Story
…bow harp: The bow harp, or Ennanga, which was played by Albert Junior is a new instrument for us and he is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. Mulirwana: it means neighbor and the song is about people who don’t trust their neighbors and they believe that anyone that doesn’t trust their neighbo…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…ter had recorded much royal music. Excitingly, we also learned that Peter knew Musisi, one of the last remaining entenga players from the Buganda Palace, whom we met during our last trip in December 2015. Musisi is now working with James at Kyambogo to implement our entenga restoration scheme to preserve and promote this traditional instrument for future generations. Students practice entenga drum-chime at Kyambogo in 1968 (Musisi is furthest from…
Before They Pass Away News
…ing weeks or months immersing himself in the tribe’s way of life. In Papua New Guinea, for example, Jimmy met with the Kalam tribe who decorate themselves with masks, wigs and plants to scare off potential enemies. In Vanuatu, he witnessed the traditional dance ceremonies that tribal people believe is crucial to gaining wealth. In Papua New Guinea’s highlands, he recorded how the Huli people shave their heads when they become a man, and continue t…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…n Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As the bands have grown there are roughly 160 total members of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream i…
Happy new year from Singing Wells News
Happy new year! We hope your 2016s have gotten off to a good start, and that you’ve been bringing in the year by listening to lots of traditional East African music. Before we start posting exciting news about the upcoming year, here’s a quick recap of what we got up to in 2015: 1. We went discovering the lost music of the Ugandan Kingdoms In Nov/ Dec 2015 we travelled between Kampala and Jinja in Uganda in search of the lost music and musicians…
Central Uganda: Day 2 – Kampala to Budaka Story
…d are more formally trained. They act as music judges and help to identify new talent. Most of the members are teachers that are being trained and are training. They are highly creative and dramatic.” The Namaddu Troupe The second group was the Namaddu Troupe, with 28 members and was formed in April 2009, led by Ndoboli Ramathan, and from Lyama Sub County. Their style of music was Namaddu Dance. Their costumes were Gomasi, Kanzu and skins (emondo-…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…Nandi Kulamudde: This is the story of the older, dead king, talking to the new king. He offers to help the new king but complains that first someone will need to wake him up. The Amadinda percussion reminded us a lot of the Likembe bands of Northern Uganda— very soothing and seductive rhythms. For the last two songs they were joined by Passy Nassonko the lead female singer of the Kika Boys Cultural Troupe (our second group). We talked to James Isa…
Rediscovering Afropop and its influences News
…acted as influences (see more on our influences work here) and have helped newer genres form. The same works in the opposite direction of course, and African popular music has emerged as a combination of traditional African music and an adoption of certain elements – particularly some musical instruments and recording techniques – from Western music. Last week I was in a taxi driving through Nairobi’s Westlands and talking to a girl about Sauti So…