Day 1: Saturday, 2017 February 18th Story
…and we’ve not seen it in Kenya or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorro…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ed with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.c…
Ketebul Music presents Shades of Benga Online News
…Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musici…
Our journey to the Royal Drums: in the words of James Isabirye Story
…in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a car that seemed to be driving as fast and far left to right on the road as forward. Between interviewee fighting to keep us alive, and interviewer fighting to stay in the car, we’re lucky we have anything at all… Centre:…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
Dec 30th: the flutes and the closing of the circle with Albert Ssempeke This is our final day in the field in Uganda. Tomorrow we head back to Nairobi to record in the Ketebul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instrument…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…d yet, we all walked away convinced that you will see an exciting new East African artist writing new amazing music with these drums as part of the rhythm section. Are there lessons from this journey? Yes, and the most important of these is our discovery of a single repeatable model to restore these instruments: we refer to this as the Bigwala Model. What James Isabirye discovered from his work to restore the Bigwala trumpets is a five step model…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…h me. We then gave the trumpeter the music of the International Library of African Music. They had assembled a CD for us of Hugh Tracy’s recordings of the palace musicians that he recorded in 1952. The trumpeter loved the picture of the trumpets on the cover and knew some of the players, but he was certain he was not on the recording. “I was still learning during this time and was not good enough,” he said. Ben Nsubuga Ntabula Next we interviewed…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
December 2: Drum making and palace players On our third day in the field we focused on two things: 1) Understanding better how the royal drums of the Buganda Kingdom are made 2) Interviewing other surviving musicians from the Buganda Palace Here’s our summary of part one: Part One: Drum Making The Singing Wells team was joined by James Isabirye today as we travelled to Mukono, to visit Ssebengwa Drum Makers (P.O. Box Mukono near Colline Hotel, J…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…the obvious: at Singing Wells, we record and share the great music of East African villages. But, there’s another, equally important reason: the revival of the Bigwala trumpets was the model we used for the restoration of the Royal Drums. We felt it was critical to check in on their progress. We focused on three main things on this visit: Interviewing James about the instruments themselves Recording the trumpeters Interviewing James in more detail…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…d and rose to brush my teeth as I always do. But the guns got louder – the Central Government was attacking the Buganda Kingdom and had attacked the Parliament first, which was about a kilometer away from the palace. I realized it was very real when bullets started hitting the palace and the hut where we kept our drums caught fire. People started running around all over and I was getting scared, but I still carried my toothbrush. I was only 15 or…
The Entenga Drums: Part 1 Story
…orded the Entenga in the 1950s, and thanks to the International Library of African Music we brought his recordings with us and have repatriated the music back to Uganda. In addition, Lois Anderson recorded some performances of surviving musicians, wrote about the tradition and published transcriptions of about 26 tunes. His articles, ‘The Entenga tuned-drum ensemble’ (1968) and ‘Essays for a humanist: an offering to Klaus Wachsmann’ (New York, 197…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…nal to be a development expert, was also a keen expert on the music of the Central and Eastern region of Kenya. He was in charge of interviews on the trip and did a fantastic job. We had the opportunity to interview him during our days recording in Nairobi. SW: What was the most surprising thing about the trip? GT: To know that this tribal music is available out in the villages. There were people singing and dancing to preserve the music – this is…
The History Of Benga Music: A Report by Ketebul Music Story
…as West Africa and as Mangwana once confessed, it was this sound and West African highlife that the people loved. The African All Stars added elements of this energetic rhythm to the existing Congolese rumba. In the 1980s some members of the African All Stars moved to Paris and formed the Four Stars (Les Quatre Etoiles) and became the base for the fast-paced Congolese music production spiced with additional Caribbean influences like zouk. This mu…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…o Obuyanzi Kali Munda Olubo Mary Queen John Nzanze One of the founders of “African Twist”, John enjoyed a major hit with ‘Angelique Twist’ in 1961. Born in 1940, he started playing his father’s guitar at 12. His band, Air Fiesta Matata, achieved fame, having come in third in the 1968 All African Music Festival in Algeria, and this led to introductions to Miles Davis and a tour of the USA. Angelique Twist Twist ni Nzuri Tama Amina Makashi ya Mrembo…
Latest Field Trip – Kenya 2018 News
…We’ve returned from our latest field trip, this time to western Kenya. Field reports coming soon….
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…The final day – we record the Original Chuka Drummers and then head back to Nairobi, concluding our field visit to Central and Eastern Kenya….