Ribbe Ber (Drummers) Group
…Music of the Acholi Acet, Northern Uganda…
Serengeti Group Group
This group, formed in 2016, was from the community of Kuria and played in the Ritungu style – this style refers to the form of dancing where the two lead dancers ‘nodded’ their head in almost a trance like way to the music and to their large eight-stringed instrument. We were mesmerized. Their instruments included the: Zeze, Virandi (shakers), and Ritungu (eight stringed instrument, huge Nyatiti). The group had three musicians in ‘red’ and two da…
Cieng Dwong Group
…Music of the Langi Fort Murchison, near Pakwach, Uganda…
Day One: The Iteso People and their Music Story
…Relations and Diplomacy. His first break in professional music was at the 2008 edition of Spotlight on Kenyan Music, where he represented Nairobi with his song ‘Jawabu’, which features on the compilation album. Other than the guitar he also plays the drums and the chivoti. We welcome Fadhilee to Singing Wells and hope you enjoy his contributions! From Obekai, we drove to Kodedema, to record Obasie Palnyang. The group was founded in 1958 by Obasie’…
The Birara Dancers Group
…Music of the Batwa Kisoro, Uganda Group Leader – Francis Sembagare; vocalists: Paskazia Nyirakarombo, Vastina Ayinkamiye, Jolly Naiti…
Nile Beat Artists Group
…previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but…
Bigwala Cultural Group Group
…wenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO website….
Hannah Calascione Staff Profile
…the all important context for the songs and dances we will be recording in the field. …
Adungu Instrument
The Adungu is a stringed instrument we encountered in Northern Uganda. We also recorded an Adungu group in Kampala, as we passed back through on the way to Entebbe. It is an arched harp instrument with between 7 and 10 or more strings. They vary in size between smaller instruments, played close to the body and the larger bass adungu, on which the player can sit. The sound box is commonly covered in animal hide, and is also at times used as a…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…heri amukeni tucheze tunaenda (good bye dance) – songs 4 and 5 song as one Freestyle: We then recorded the band in freestyle. https://youtu.be/XoaHli19b2U One observation from Day One: These groups have the energy and youth of many of the groups we recorded in Uganda around Lake Victoria, which makes a lot of sense as these groups are from areas very close to Uganda. What you feel when you record these groups is that the music here remains very…
2. Naizungwe Drums – progress report 1 Story
…rk quickly adds up. Why are we making 24 drums? James answers: “The set we are making comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – h…
1. Introducing the Naizungwe drums Story
…ms that James talks about: http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-1.mp3 http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-2.mp3 What makes this project particularly exciting, is the difference of approach required compared to the entenga drums. With the entenga we found a surviving old master player (Musisi) who was able to teach a younger generation of musicians…
Day 2: Sunday, 2017 February 19th Story
…en invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on the theme of ‘women for women’ songs of instruction, or the rites of passages of women preparing for adulthood. We encountered these in three separate villages a…
Day 1: Saturday, 2017 February 18th Story
…his name is a sign of respect – think, ‘Old Man Morris’. He was born in 1920. At two years old, he lost his sight as a result of a bout of small pox. He died in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but h…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and music education in the Department of Performing Arts, Faculty of Arts and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Our journey to the Royal Drums: in the words of James Isabirye Story
…are? This matter has concerned a circle of my friends deeply since around 2003 and we’ve all tried to deal with it. I have a circle I talk to all the time about this, including Julius Kyakuwa, Centurio Balikoowa, Haruna Walusimbi, Sarah Mukyala and Cornelius Mwima. We all understand that without intervention, somehow, all this music – all this culture will die. But we also know that the issue will always be resources: how do we bring new resources…