Day Three: 9 March 2022 (Kisumu) Story
…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…
FAQ’s Page
…ideo has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the project goals. You can specify just how much you would li…
Winyo Staff Profile
…stening to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing W…
Day 7: Friday, February 24th, 2017 Story
…e This is our last day and we saved it for Henry Mkanyia. Because he is so central to the history of Tanzanian music, we asked Henry to assemble members of his original group DDC Mlimani Park Orchestra. We assembled at Nafasi Art Space, which is very similar to the Go Down Art Center in Nairobi, hosting artists of all kinds from musicians to painters to dancers. Henry brought two members: Hasaan Rehani Bichuka, his lead vocalist and Juma Ubao (aka…
Day 3: Monday, 2017 February 20th Story
…the Dar es Salaam Development Corporation. They had multiple hits in the 80’s and 90’s including: Mpenzi Edita (name of a lady who portrays the lead singer) and MV Mapenzi (essentially the ‘love boat’). The latter is an East Africa classic that most people know. Throughout this trip, we will spent a lot of time with Henry, starting with this first night of live recording at the Bagamoyo Country Club. Leo: Leo is Henry’s son and has been our Influ…
Day 1: Saturday, 2017 February 18th Story
…his name is a sign of respect – think, ‘Old Man Morris’. He was born in 1920. At two years old, he lost his sight as a result of a bout of small pox. He died in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but h…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ed with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.c…
Our journey to the Royal Drums: in the words of James Isabirye Story
…are? This matter has concerned a circle of my friends deeply since around 2003 and we’ve all tried to deal with it. I have a circle I talk to all the time about this, including Julius Kyakuwa, Centurio Balikoowa, Haruna Walusimbi, Sarah Mukyala and Cornelius Mwima. We all understand that without intervention, somehow, all this music – all this culture will die. But we also know that the issue will always be resources: how do we bring new resources…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…ul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the Kingdoms of Uganda. 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s g…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…That is why we will be in Nairobi in the studios with musicians from our 2013 visit to Uganda – we are recording them professionally, surrounding them with great new artists and we hope giving them an opportunity to find new listeners that want to take elements of the music forward. With this as background, this is what we discussed on the grounds of the Kampala Museum. I will paraphrase a half a dozen voices and many long and winding conversatio…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…s at the palace for generations. I started to play at the palace in the 1940’s and believe I was born around 1929. Sadly, at the time of Hugh Tracy I also wasn’t good enough to be on those recordings. We lived in the palace and when we were needed to play we played for the king. I loved it. During the attack in 1966 my friend and I were at home. After the attack we didn’t go back. But in 1967 they brought us back to pay some wages and thank us for…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…the bottom and will wrap up from the bottom of the drum and end up about 50% up the drum’s length. So this piece was about 30% larger than the drum’s bottom, which is smaller than the top. 5. Stage one of stringing the drum In the first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, h…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd seeds and started coordinating farmers to grow the next generation of trumpets. There are now four trumpet groups and about 20 trumpets, with many more growing in the fields in different parts of Busoga. Everything about the Bigwala model has become…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…s gardens. The King asked him to go out and report any news. He came back 10 minutes later and said the soldiers were now far closer having broken into new rooms closer to where we were. The King asked him to go out again and find any other news. The man didn’t return and the King told me that meant he was killed and we must run. Soldiers were everywhere. He grabbed me and we ran through several palace gates and came into one of his Throne Rooms (…
The Entenga Drums: Part 1 Story
…. Hugh Tracey, the great ethnomusicologist, recorded the Entenga in the 1950s, and thanks to the International Library of African Music we brought his recordings with us and have repatriated the music back to Uganda. In addition, Lois Anderson recorded some performances of surviving musicians, wrote about the tradition and published transcriptions of about 26 tunes. His articles, ‘The Entenga tuned-drum ensemble’ (1968) and ‘Essays for a humanist:…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…rely lets us scratch the surface. We did 5 songs per group, but they have 100. We could have had a dozen people come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a…