Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…re not empowered to create, to lead rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and all they did was play music. In most cases they received no other education and in most cases they played until they could play no more and their ‘retirement pension’ was the salaries of the sons or grandsons they were able to train and bring into the…
The Revival of Ohangla Music! News
…icle about the revival of traditional Ohangla music from nation.co.ke, featuring one of our favourite Ohangla artists, Otieno Aloka. Giving A Trendy Sound To Traditional Ohangla Music Traditionally played at weddings and funerals, the music is having new life put into it by young artists like Otieno who use electronic production, combined with incredible musicianship, to create a whole new genre. Otieno’s song Kanungo Eteko is massive on Youtube,…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…g drums, short for short drums. Then you bore the hold into the log,” (the tool used is Ekifumu) “you then let the wood dry in the sun.” Here Abass showed us a wooden ‘pail’ that had the rough outline of a small drum, but needed to be hollowed out. He did this by carving deeply into the wood with a large scraping tool that he used to carve wood from the centre. 2. Cutting the wood to size “You then cut the wood to size” (the saw used is called a M…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…advises. Steve says that his ‘good cop’ was advising Steve and his cousins how to survive the day, while the ‘bad cop’ was essentially shouting that each boy probably lacked the courage and would humiliate his village. Ukaugiria irugu, led by Charles Kinyua. Means ‘do not tell anyone what you will meet or feel.’ And is sung before the circumcision. He is to keep the experiences to himself. “Whatever you encounter, only you and you along has the ri…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…did this twice, once with and one without the ladies humming (they needed to hum to get the beat right). Kangema Urban Women Group The group is led by Jacinta Njoki Mwangi and formed in 2006. The group plays in thee Gitiro style – the dance performed by women during ruracio, a dowry payment occasion. Gitiro: led by Jacinta Njoki. Ndumo (ya iritu): led by Jacinta and Mary Njoki. Kibuthi: led by Jacinta Njoki. Kangema Mwomboko Dancers The group is…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…na ivinda (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices. Kaniini Kaseo The group is led by Mumbi Wambua, in Kyolo style. The group is also from Kamba ethnic community (ukambani wa kitui) and also from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…b. It stops going deeper. The nature of the wood limits the distinct notes to between 21-23. You also saw them dance. They play all the dances they would do with drums with xylophones across the three dance styles of: Tamenhaibuga, Nalufuka, and Irongo.” Here’s their music: The Journey Back After an interesting greeting from the local police we were able to race off toward our hotel, the Gately on the Nile. From the village, we drove back to Jinja…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki De…
Our top Singing Wells songs for April News
…culture. For all their songs, the ladies used the Kigamba (leg shakers). 2. Kaniini Kaseo, Kolleji Kaniini Kaseo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community. They have 16 members and were formed in 1980. All of their songs use the Ileve (the tin shaker, played by Mumbi Wambua) and Vilingi (whistle) 3. Kangema Urban Women Group, Kibuthi The Kangema Urban Women Group was formed in 2006 and…
Current Leading Figures News
…s the project coordinator of the Retracing Series, documentaries which aim to to research, archive and document the musical culture of Kenya, the latest of which ‘Retracing Kenya’s Songs of Protest — Music as a Force for change in Kenya 1963-2013’, was released recently. His extensive background of involvement in the East African music industry can be found on his About Page at Ketebul Music and his thoughts on some of the central issues surroundi…
Music Depositories and Archives around the World News
…oken word, instruction, and sounds from around the world’ and is committed to ‘to cultural diversity, education, increased understanding, and lively engagement with the world of sound.’ They currently have more than 3,200 albums and 45,000 tracks and, through the dissemination of audio recordings and educational materials, are seeking to expand this legacy. Their vast content is relatively easy to search – though of course it helps to know what yo…
Archiving Guidelines News
…second is FEDORA. However, it is clear that to set up an online data repository, to be used as an archive, substantial technological knowledge is needed – but this guide is most definitely a great help for gaining understanding of all the issues needed be considered when setting up an online music archive. Storage of Audio Materials Guidance for the care, handling and storage of audio visual materials can be found on the Library of Congress websit…
A History of Recording East African Music News
…y ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realised someone needed to fully dedicate their time to “appraising the social value” of traditional African music, otherwise it would disappear. Tracey would have to step up and be that someone, especially at a time when African radios wanted to broadcast in their own regional vernacula…
Tracey Instrument Collection News
…Egyptian harps – with the cowhide that stretches over the top of the resonator used to keep it in place. Written on the side of the skin of this ennanga is ‘SSENDEGGE’ which may be the name of the actual maker of the harp, but the harp was obtained by the Traceys by the renowned ennanga player Evaristo Muyinda. The ennanga was formerly the instrument played by the master of music of the Kabaka (King) of the Bugandan people. He would compose songs…
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…l you the story of Jimmie Rodgers/Jimmy Rogers/Chemirocha. Tabu told this story to Jimmy in 2011 and it remains his favourite Hugh Tracey story. Here’s the story as told in Muzik: “And then the big bomber: the song I consider Tracey’s single most outstanding recording, “Chemirocha,” a paean to Jimmy Rogers (yes, the country singer) by some Kenyan girls. The song is haunting but made more so by Tracey’s introduction on the LP record (not included o…
Report from Womex 2013 News
…ll Odidi. The project is to provide an online portal for African musicians to showcase their work, and it looks great. Hopefully we can help the project and work together in some way in the future. Showcases Visited Mike and I were present at the opening concert – curated by Cerys Matthews at the fantastic Wales Millennium Centre in Cardiff Bay. The show was a showcase of traditional Welsh music including performances from Matthews herself, The…