Micyingo (Kisoro Hill) Group Group
…Music of the Batwa Kisoro, Uganda…
Serengeti Group Group
…dance which was mesmerizing and was extremely unique. The athleticism of these dances were very similar to what we’ve seen in Uganda and very special. …
Cieng Dwong Group
…Music of the Langi Fort Murchison, near Pakwach, Uganda…
Day One: The Iteso People and their Music Story
…are a smaller ethnic community in Kenya but has very distinctive music. In Uganda, they are more Iteso, located in Soroti. Its language is Ateso. The Iteso are Nilotics, one of the people of the Nile. We drove to the town of Adungosi to record the Omong’oluk Traditional Dancers. The current leader is Ibriam Aduomg Omong’oluk, the grandson of the founder of the dance group, Longinos Omong’oluk who started the group in the early 1990s. He died in 19…
The Birara Dancers Group
…Music of the Batwa Kisoro, Uganda Group Leader – Francis Sembagare; vocalists: Paskazia Nyirakarombo, Vastina Ayinkamiye, Jolly Naiti…
Nile Beat Artists Group
…e of Lake Victoria. A previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her th…
Bigwala Cultural Group Group
…wenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO website….
Hannah Calascione Staff Profile
…the all important context for the songs and dances we will be recording in the field. …
Adungu Instrument
The Adungu is a stringed instrument we encountered in Northern Uganda. We also recorded an Adungu group in Kampala, as we passed back through on the way to Entebbe. It is an arched harp instrument with between 7 and 10 or more strings. They vary in size between smaller instruments, played close to the body and the larger bass adungu, on which the player can sit. The sound box is commonly covered in animal hide, and is also at times used as a…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…heri amukeni tucheze tunaenda (good bye dance) – songs 4 and 5 song as one Freestyle: We then recorded the band in freestyle. https://youtu.be/XoaHli19b2U One observation from Day One: These groups have the energy and youth of many of the groups we recorded in Uganda around Lake Victoria, which makes a lot of sense as these groups are from areas very close to Uganda. What you feel when you record these groups is that the music here remains very…
2. Naizungwe Drums – progress report 1 Story
…rk quickly adds up. Why are we making 24 drums? James answers: “The set we are making comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – h…
1. Introducing the Naizungwe drums Story
…starting this project: “I led the revival of entenga royal drum music of Buganda kingdom. At the time of doing this, I received an audio recording from Peter Cooke, telling me of his recording on his first field trip in Uganda in 1967. The multi-rhythmic texture of the drumming, Basoga traditional yodeling and humming plus the poetic recitations can no longer be heard anywhere. As a child I heard the likes of Kamu Kasata and Ndhote singing like t…
Day 2: Sunday, 2017 February 19th Story
…en invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on the theme of ‘women for women’ songs of instruction, or the rites of passages of women preparing for adulthood. We encountered these in three separate villages a…
Day 1: Saturday, 2017 February 18th Story
…ls, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam and Bagamoyo on this trip but also recognize this is tip of the iceberg. We think we will be spending next 3-4 years coming back to Tanza…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and music education in the Department of Performing Arts, Faculty of Arts and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Our journey to the Royal Drums: in the words of James Isabirye Story
…s evolved more organically. You’ll remember in 2013, Singing Wells came to Uganda and we started to discuss the issue of the royal instruments. At the Kampala Museum, Singing Wells, Albert Ssempeke and I talked and all concluded: we really have to focus on the Entenga, the Royal Drums of the Buganda Kingdom. If we lose these, we’ve lost something truly unique. Singing Wells then agreed to kick-start a project based on what we had done together on…