Buganda Music Ensemble Group
…ything had happened. Albert leads the song with the bow harp or Ennanga, a new instrument for us. Albert is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their ne…
What We Do Page
…he key objectives of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during ou…
Day 2 – Sunday 2nd July 2017 Story
…ct that younger traditional players do not (or only exceptionally) compose new tunes, but replicate existing old ones. Within the nyatiti tradition, tunes remain the same, whereas the lyrics can change, evolve. They are the fruit of a specific player’s imagination and can be adapted to the occasion and/or to tell the praise of a different person. The fact that Meshack picked up the instrument only once his father had passed away brought about seve…
Namaddu Troupe Group
…uffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they ret…
FAQ’s Page
…nd? We have a schedule and a plan for the next 3 or 4 field visits to East Africa, so any groups we record would have to be within designated areas where we plan to travel. We’d love to hear from anyone with new suggestions for field visits. Can I join you on your next recording trip? Please get in touch if you would like more information about where are travelling with Singing Wells in the future. If you have any further questions, please get in…
Liwambwe Group
The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played…
2. Naizungwe Drums – progress report 1 Story
…ded to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting t…
1. Introducing the Naizungwe drums Story
…by long time Singing Wells partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeav…
Day 5: Wednesday, February 22nd, 2017 Story
…ord the group Liwambwe. The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they had a character in a mask called a Lipiko, who…
Day 3: Monday, 2017 February 20th Story
…s and instruments die. But another mission is to bring these traditions to new audiences, allowing new artists to work with traditional artists to bring new life to these sounds and movements. So, we want the grandson of Mzee Morris to work with current artists like Leo, Sophie and Elliot. We want Leo, Sophie and Elliot to be inspired by Rajab and Henry’s music and hopefully they will bring these styles to new audiences. This theme is critical to…
Day 1: Saturday, 2017 February 18th Story
…had listened to his drums all my life – his drums are used to announce the news on Tanzania Broadcast Corporation (TBC) hourly news bulletins. At 14 years old, I would sit at my drums just trying to recreate that one riff. It took me three months of non-stop listening to get it down. And that was just 30 seconds of his lifetime of drumming. All I want to do is master his style.” As Daudi mentioned, Mzee Morris became the sound of Tanzanian news….
Fundraiser for Matthew Watmon News
…hat some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so w…
Ketebul Music presents Shades of Benga Online News
…altz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by contacting them directly. #shadesofbenga #legenda…
Our journey to the Royal Drums: in the words of James Isabirye Story
…the Busoga King. We talked about the problems: no one played the music, no new musicians knew the trumpets, farmers had forgotten how to grow the gourds used to make the trumpets, and the seeds were lost. That conversation started everything. We needed to revive these trumpets. I got UNESCO support, I got Singing Wells support and gradually, we formed a group. Singing Wells filmed them in 2013 and helped us tell their story. We also invested in th…
Singing Wells Approaches 5 Million Views News
…k is paying off – in the last few months we have almost doubled our views on our Youtube channel and are now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Ke…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…music. And yet, we all walked away convinced that you will see an exciting new East African artist writing new amazing music with these drums as part of the rhythm section. Are there lessons from this journey? Yes, and the most important of these is our discovery of a single repeatable model to restore these instruments: we refer to this as the Bigwala Model. What James Isabirye discovered from his work to restore the Bigwala trumpets is a five st…