Fiona’s story Story
…Fiona has been able to attend junior school through the sponsorship of the United Organization for Batwa Development in Uganda (UOBDU), an NGO based in Kisoro. She is a wonderful role model for the Batwa community and is proving that, with the right opportunity, Batwa children can achieve the same educational goals as any other child in the district. Everyone is hoping that Fiona will be able to continue being sponsored through her senior school y…
73,603 views on YouTube News
…ls YouTube channel……73,603 views and still counting! It’s not a meaningful number in itself (like a nice round 100,000 – our next target) but it does mean more and more people are finding us and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching! Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi…
A new type of city Story
…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…
The Boy with the Headphones Story
…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…other detector ourselves (#2) Once through this line we lined up for Kenya airlines. We are our own queue and it took a while to check in our 23 bags and convince them to let us carry our 11 carry on bags… Once checked in we then waited in visa line. No issues. By this time the flight is calling for boarding… There’s another line at the gate to go through Kenya security. Big queue and one very angry mzungu who was fed up. We all had to take off ou…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ere ‘trained’ to shoot in a matter of days, and were periodically beaten a number of strokes depending on your age, in his case it was 300. Odika called it the ‘bush mind’, and sometimes even once soldiers returned that mind would come back again, in nightmares or in daily life. To help returning soldiers they were taken to Gulu Children of War Rehabilitation Centre for 6 months before going home, partly to make sure the rebels couldn’t find you i…
Promotion of Batwa cultural music: UOBDU report March 2013 News
…oject to record the music of the Batwa in Kisoro, Uganda in December 2011. United Organisation for Batwa Development in Uganda (UOBDU) Narrative Report on the Promotion of Batwa Cultural Music Since April 2012, UOBDU started implementing a project responsible for promotion of Batwa cultural heritage, supporting the performance of music and drama to local audience and to allow UOBDU to monitor and update the performance of the groups visited by The…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…e carved into a hill, with rows and rows of streets below us, and an equal number of streets and houses piled up above us. There were cars, motorbikes and taxi’s driving past and planes flying overhead. Everything was for sale by everyone who walked by. No sleeping cattle. No flower beds. But, as always, there was wonderful music. The first group was the Adungu Cultural Troupe, masters of the Adungu. We had interviewed their leader on our ‘recce’…
An Evening with Mserego Mwatela Group News
…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…
How music archives can help communities News
…were recently found by Chris Kidd, a Ph.D. student who was working for the United Organisation for Batwa Development in Uganda (UOBDU). Chris took the recordings back to Uganda and re-introduced them to the Batwa people who had since become a poor, landless and disempowered community following their eviction from the forests due to the gorilla conservation project in the mountainous south west region of the country. In particular, Chris played a r…
ATTA is following Singing Wells News
…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…
Reporting back on recording trip to Kisoro, SW Uganda News
…s message from Henry Neza, UOBDU Capacity Building Officer and our liaison contact with the Batwa communities while we were in Kisoro. Dear Victoria, The Batwa of Kisoro as a result of your visit felt an international belonging and recognition. Through the generation of money by the Abubilla Music team to the Batwa who performed their cultural dance, the Batwa managed to acquire things like goats, clothes, seeds, utensils, beddings and tarpaulins/…
A day in the field with Singing Wells News
…gains and the record levels. We then name our audio files so that the take numbers continue from the last performance. We are careful that each take has its unique and concurrent take number on the off chance that audio files become separated from their record location. This way we can always work out exactly where each audio file has been recorded and when. At the end of the day it is important to backup the files. Each night, back at our accommo…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…frica, meaning that within the huge range of instruments there were also a number of different names for them. This became very interesting to discover however, and over time that information could gather on the map, making it more comprehensive. What did you find most interesting about the data you collected? What stood out for me was the huge range of instruments used, and the huge range of percussion instruments available, which you don’t reall…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…retty flowers and strange guinea fowl pottering about. The two groups were united around 10 with our two drivers William and Emanuel and set off for Kampala. As promised Kampala traffic was a nightmare. The William Team (Jimmy/Pato and Hannah) tried to take a short cut, but the road was closed and we ended up winding through some very poor areas around Kampala with a truck not designed for essentially footpaths. All the time, the high rises of Kam…
Day 3: Kitale to Kapsokwony, Kenya Story
…ove of cattle to a new level. 50 Cows is a local journalist and student at United States International University (USIU). The Music Groups Ben Kisinja First up for recording was Ben Kisinja, a wonderful guitarist in the typical Kalenjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandit, and is a homemade guitar somewhat resembling the Nyat…