SWP Uganda 2013 – our proposed itinerary News
…ory of how music by Nile Beat and the Muwewesi Xylophone Group was used by American banjo player Bela Flack, whose album ‘Throw Down Your Heart: Tales from the Acoustic Planet’ won the Grammy Award for Best Contemporary World Music Album. Day 7 & 8: Music of the Baganda and ‘Influences’ After five days travelling in the field we will head back to the city for our final two days of recording which will focus on the music of the Baganda and also the…
A recording studio which fits into the back of an SUV Story
…nda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fi…
The Singing Wells supports Ketebul Music’s ‘Kenya at 50’ project News
…au uprising in Kenya. Colmore spent time working for the Kenya Information Service around this time – possibly as a photographer. He was instrumental in setting up the African Broadcasting service Entertainment unit, which included the guitarist Fundi Konde – said to be the first electric guitarist in East Africa. He also set up Hi Fidelity Productions and studio in Nairobi – a promotion and public relations company, which produced advertisements…
73,603 views on YouTube News
…ls YouTube channel……73,603 views and still counting! It’s not a meaningful number in itself (like a nice round 100,000 – our next target) but it does mean more and more people are finding us and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching! Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi…
A new type of city Story
…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…
The Boy with the Headphones Story
…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…
The origins of Singing Wells Story
…ful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between two music labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…other detector ourselves (#2) Once through this line we lined up for Kenya airlines. We are our own queue and it took a while to check in our 23 bags and convince them to let us carry our 11 carry on bags… Once checked in we then waited in visa line. No issues. By this time the flight is calling for boarding… There’s another line at the gate to go through Kenya security. Big queue and one very angry mzungu who was fed up. We all had to take off ou…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ere ‘trained’ to shoot in a matter of days, and were periodically beaten a number of strokes depending on your age, in his case it was 300. Odika called it the ‘bush mind’, and sometimes even once soldiers returned that mind would come back again, in nightmares or in daily life. To help returning soldiers they were taken to Gulu Children of War Rehabilitation Centre for 6 months before going home, partly to make sure the rebels couldn’t find you i…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…e carved into a hill, with rows and rows of streets below us, and an equal number of streets and houses piled up above us. There were cars, motorbikes and taxi’s driving past and planes flying overhead. Everything was for sale by everyone who walked by. No sleeping cattle. No flower beds. But, as always, there was wonderful music. The first group was the Adungu Cultural Troupe, masters of the Adungu. We had interviewed their leader on our ‘recce’…
An Evening with Mserego Mwatela Group News
…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…
ATTA is following Singing Wells News
…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…
A day in the field with Singing Wells News
…gains and the record levels. We then name our audio files so that the take numbers continue from the last performance. We are careful that each take has its unique and concurrent take number on the off chance that audio files become separated from their record location. This way we can always work out exactly where each audio file has been recorded and when. At the end of the day it is important to backup the files. Each night, back at our accommo…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…Map is a great platform for a project like this for several reasons. It is free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself…
Day 6: Recording the Tugen & back to Nairobi Story
…s to six the total Singing Wells Equator crossings in the last 12 weeks. Arrival We arrived in Nairobi safe and sound at about 10pm, having survived the wonderful horrors of the road. We actually breezed through a traffic free Nairobi, although Tabu was at war with the GPS and decided to go his own way. The GPS, which had served us well for 1,000Kms, was not happy and yelled at us for the last 6 kms. Singing Wells team 8th March 2012 …
Singing Wells – Origins News
…ful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between two music labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons…