Bigilia Group Group
…ali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’…
Martin Fredrick Muyeshi Staff Profile
…en TV where he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’scompilation “retracing” series that include Retracing Benga Music, Retracing Kikuyu Popular Music, Retracing Kenya’s Funk Music, Retracing Songs of Protest and the book Shades Of Benga: The story of Popular Mu…
Our Sponsors Page
…the original recordings were made. See our post on this project here. The Mara Group Type of sponsorship: Field recording day, Uganda 2013 Thank you to The Mara Group for sponsoring one of the field recording days during our visit to Central Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording ses…
Kithara Group
Kithara was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals. When we got to their village in Mpendae we had some difficulty finding a place in the shade that was quiet. There were airplanes and motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last r…
Ekhunjwe Musical Group Group
In Nanguba village of Agen’ga location, we met EKHUNJWE YA ABASAMIA folk group. Led by Stephen Bwire, a local music scholar who acted as our contact person and by the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The gro…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…o Nzali to record four groups: Group 1: Makunga: This group is from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the K…
Omong’oluk Traditional Dancers Group
…group, Longinos Omong’oluk who started the group in the early 1990s. He died in 1998 at 87 years old. We first talked to Ibriam about the instruments and costumes used by the group; these included: Atenus: The bass drum Igelu: Shakers Akwara: Sticks Isiman: Jingles worn around the ankles Etwoo: A gourd that you blow into for a ‘bass’ beat. The dancers wore “Emukule”, skins of cows and more rarely, Cheetahs. One of the dancers wore a “Amugwar”, a h…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
This Field Visit to Zanzibar is all about celebrating Siti Binti Saad, the Mother of Taarab. We assembled in Nairobi on Friday the 14th of February and flew to Zanzibar on Kenya Airways on the first flight on Saturday, making our way to the Ngawala Hotel. Temperature 33 degrees centigrade. Partially cloudy. Saturday was about set up, so we’ll use this ‘Day Zero’ post to fill you in on the purpose of the trip. First, Zanzibar is an island…
Ayub Ogada Group
A musician we choose to bump into frequently is that of Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nya…
Recording Resources Page
…in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based,…
Day Four: 10 March 2022 (Rongo) Story
…and vocals with Lavin Kwamboka, Cliff Mogeni Mogaka, and Omuya Cyprine Moraa all on background vocals. Fiston was on guitar with Dave on bass. Ontiri is married to Ruth Moraa and the two reside in Kisii town with their four children. Day 4: Thursday 10 March 2022 Act Two: Otacho Stars Genre: Traditional Benga Location: Treat House Resort – Rongo Profile: Otacho Stars Founded in 2009, Otacho Stars are led by Joseph Ogutu Onyango who plays the orut…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…first group there. Sekimbuke – traditional singing and dancing with some Taarab influence. They sing for weddings, celebations and the harvest. They use traditional Zanzibar drums: Vumi – a tall, narrow, large drum based on the floor, Kinganga – a short medium sized drum, a Bati – a high hat, a Chapuo – a long narrow drum held under the arm, a Dutu – a smaller version of the Chapuo and Masewe – shakers worn on the legs. The most notable instrumen…
Here for the Music? Page
…recordings on the Field and at Ketebul Studios in Nairobi. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time…
Global Influences Project: Loop Library Page
…roupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekhunjwe Musical Group – 153bpm Watmon Cultural Group – 154BPM Nyatiti group – 158bpm Kidinda Cultural Group – 158bpm singingwells · SW Samples – Adungu Cultural Troupe 111BPM Adungu Cultural Troupe – 111BPM The Adungu Cultural troupe are based in Kampala, Uganda and the main foc…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge…
Here for Research? Page
…hotography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present) Groups Detailed information about each group we meet on our Field trips. Head here to browse through groups by Location or Genre, or to search directl…