Bigwala Cultural Group Group
…emale vocalist is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you l…
Nyati Muchoya Group
…ongs is named after the musical style: Nindo: A medley of songs including chimulombaje, muwalonjere and Nema Uganga, a song against witchcraft Muheme: a song urging all to get up and dance. Muziki: Msunyunsho: both songs showcasing musical styles of similar names and instruments….
Gacharaigu Gitiro Women Group Group
…ladies and their leg shakers (Kigamba) – we did this twice, once with and one without the ladies humming (they needed to hum to get the beat right)….
Ekhunjwe Musical Group Group
…o engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their Chairman Mr. Bwire also chairs the County Culture Committee and says he is “biased towards ethnomusicology” because “that’s where the beauty of the music lies”….
Serengeti Group Group
…lead dancers ‘nodded’ their head in almost a trance like way to the music and to their large eight-stringed instrument. We were mesmerized. Their instruments included the: Zeze, Virandi (shakers), and Ritungu (eight stringed instrument, huge Nyatiti). The group had three musicians in ‘red’ and two dancers in ‘white.’ The dancers were performing a ‘head nodding’ dance which was mesmerizing and was extremely unique. The athleticism of these dances…
Umoja Wa Kusini Group
…r ‘magic moments’: Mkwaju Ngoma: actually four songs in one. About a child going back to his village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of a broken chicken leg to say that even if love is broken, it will mend, the ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting Magic Moment 3: Francis sin…
Mariene Traditional Dancers Group
…ire: Song about pre-cirumcision; they are calling out to all that can hear that they boys are ready. Wikiri Mariri: Song is about herding… He asks a woman for thin porridge which is kept in the gourd during long trips away. He meets someone else that wants the gourd and dies with it. In the song he calls for those who will really listen to what he has to say (this is the wonderful refrain at outset) Magic Moment: Simon doing gospel interpretation…
Namaddu Troupe Group
…i Ramathan Instruments include Ngoma (drums), the Mudiri (long drum) and Entongoli (6 string adunga). Song meanings “Lwaki Ndamba”: Why do I have to suffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children…
The Music of the Mijikenda Album
…ed in the village of Sila. The next day saw 4 groups – and all are included here. Chechemeko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘i…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Otieno Aloka Group
…s different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in folk and country music….
Camera Group
…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….
Original Chuka Drummers Group
… Original Chukka Drummers, led by Eustace Mjuki Bundi. They are 30 males who all play drums except for their banner waver. They were formed in 1930 and have spawned so many imitations that they had to add the word ‘original’ to their name. They are Ameru, of Tharakanithi County. The group plays on all occasions, during harvests, births, weddings, marriages. The play the Mwinjira (Drums) and Biringi (Whistle)….
Obasie Palnyang Group
…The group was founded in 1958 by Obasie’s grandfather, Okomo. Obasie plays several instruments, including the Accordian, the Adeudeu and the single string instrument, the Eggereger (similar to the Orutu, but a deeper body). The drums are called ‘Atenus’. In addition the percussionist, Obasie is accompanied by a Etwo Aporutu player (gourd and pipe, or ‘Arupepe’). We recorded 8 songs, featuring each of the instruments….
Kangema Mwomboko Dancers Group
…ct. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (the metal ring). The group played 5 songs plus one magic moment: Mwomboko Ndongomothi Kariara Rumba Jeki Magic Moment: The group then focused on a minute…
Omong’oluk Traditional Dancers Group
…years old. We first talked to Ibriam about the instruments and costumes used by the group; these included: Atenus: The bass drum Igelu: Shakers Akwara: Sticks Isiman: Jingles worn around the ankles Etwoo: A gourd that you blow into for a ‘bass’ beat. The dancers wore “Emukule”, skins of cows and more rarely, Cheetahs. One of the dancers wore a “Amugwar”, a head piece made up of antelope horns….