Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…recording a style or genre that is dying and we are probably recording the last breaths. In Mission 1, we are purists – recording the village performances as they have been traditionally performed. This includes the background noises of ‘chicken and children.’ Generally we become surrounded by village children by the end of each field session and we celebrate that their voices create a lovely background in our recordings. We are also here to try t…
Our journey to the Royal Drums: in the words of James Isabirye Story
…e drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musi…
Singing Wells Approaches 5 Million Views News
We are so excited to see that our hard work is paying off – in the last few months we have almost doubled our views on our Youtube channel and are now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to b…
The Entenga Drums: Part 1 Story
…es endless adjustments of the ropes that tie down the drum skins. But on a minute by minute basis, the drummers are fine tuning through a combination of water on the skins and massive hits with their fists to stretch the skins. There are six players, each of whom has a different formal name and role in creating the music. Now, I really hope you can look at the picture of the drums. In all cases, our references are from the listeners’, not the play…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…children from the trip! We packed for a final time and departed for Nairobi. We made pretty good time to Ketebul music, where we unloaded our gear. Then we headed for the Fairview, a 20 minute drive that took about 90 minutes due to traffic! We all crashed early knowing we had almost a week in the studio starting tomorrow morning!…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…e. But this can create two separate issues. Our cameras can only record 12 minutes of video at a time and our viewers don’t click as much on very long songs posted on you tube. Assuming that the full story of the song can be told, we work hard to keep performances around 4 minutes in length. Song Start Finally, ‘Mr Clapperboard’s’ job (Nick’s) is to ensure that all audio and video instruments are running and then he announces the song/take and cla…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…o Ndongomothi Kariara Rumba Jeki Magic Moment: The group then focused on a minute of Wendire Mugunda Ndaiga Muchiri Ndaiga Muchiri was a founding member of Kangema Mwomboko Dancers. He started singing in 1943 and loves to entertain. He is a Kikuyu and plays Mwomboko wa 40’s style. Mwomboko: a traditional song where he plays the Karing’aring’a (the ring) We then lugged our equipment up the hill. We were extremely embarrassed to find ourselves chatt…
Central Uganda: Day 6: Kampala to Entebbe Story
…on social awareness and theatre. Their instruments include: Amadinda: Xylophone Endingidi: Tube Fiddle Emlwanzi: Pan Flute Adungu: Harp Entongoli: Bow Lyre Drums: Engalabi (Long drum, longest) Empuny (Main Drum) Entujza, 2 medium drums Namunjoloba, 2 small drums, one pitched very high and one lower Their members include: Ronald Muwonge (drums and dances) Denis Kasasira (long drums) Samson Basoga (Tube Fiddle) Isabirye Basoga (15 slab xylophone) J…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…