Day 5 – Wednesday 5th July 2017 Story
…ical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He rem…
2. Naizungwe Drums – progress report 1 Story
…uyanga sub country, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting cow dung on frames, drying skins, making strings etc. For the 24…
Day 2: Sunday, 2017 February 19th Story
…Kidude and Unyago style. Throughout this trip we will encounter multiple stories about ‘women for women’ songs. In this case, the women in the village have a special dance that is performed by women only for women. It is all about teaching young girls to prepare for womanhood, be it how to behave in the village, how to behave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Ugand…
Day 1: Saturday, 2017 February 18th Story
…vel in the field, doing our best to record traditional groups, songs, and stories. All groups and songs mentioned here will eventually turn up on YouTube (see our current video collection here), as we prepare each of the videos. We will go back to these reports and provide hot links to all of these, but that will take a couple months or so, so please be patient. This is our first trip to Tanzania. For those of you that have followed Singing Wells,…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…generations doesn’t just stop with the Bigwala. He was a vital part of restoring the Royal Entenga Drummers, and is currently working on a project to restore the lost lyre, the Entongooli. You can read more about this project on our website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work…
Ketebul Music presents Shades of Benga Online News
…Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba wa…
Our journey to the Royal Drums: in the words of James Isabirye Story
…Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we are losing the myths, the dances, and the…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…of Uganda. These are empty, display houses, not homes – put up to give visitors a sense of a rapidly dying village culture. They are beautiful because they reflect the organic simplicity and lovely practicality of village life. They are disturbing because they are empty, rebuilt only for display and in their sterility, they look more like fossils than homes. These are the images that inform our discussions. What does it mean to preserve or to redi…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…e. Everyone digs in to get the job done. Second, you get it – it is about stories and I greatly respect the amount of time you invest The second thing is stories. You guys look out for real stories and try to tell the stories. This is really important. I think development is really about stories. And I watched out much you invest in telling the stories of these people. You care. This leads to the third thing which I wouldn’t under-estimate. You le…
The History Of Benga Music: A Report by Ketebul Music Story
…nre and Ketebul has kindly given us permission to publish in full their history of Benga music. Here it is: Retracing the Benga Rhythm From simple traditional village entertainment to a national and regional music genre, this is the story of the making of benga music. Setting the Background A characteristic of popular music the world over is the element of mystery surrounding the origins of the genre and sometimes also, the real meaning of its nam…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Murungi, an ornament on both sides of the arms which is worn by the initiator/circumciser; it signifies a man of respect and authority. Their costumes include Lesos, necklaces, face painting, spears, fly whisks, gourds, and head gear, called Nkoroi made out of cow skin, with Monkey hide. The women cover themselves with green head scarves. The group uses the Kibere (shaker), performed by Jeremiah M’Mbiwiriaft, and the Coro (the flute), played by S…
Central Uganda: Day 5 – Jinja to Kampala Story
…he three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: She is a senior member of Nile Beat Artists and is vice president of the cultural association in my university. During her school life she was best dancer in 2007 and 201…
Central Uganda: Day 4 – Jinja Story
…. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala, the big Ugandan trumpet, to Ugandan musical culture. According to our local musical expert, James Isabirye, it was close to dead, but a Unesco project has helped to draw attention to the group by pointing out the instruments and its players are threatened with extinction. He also says there is a horn shortage because people don’t grow the right kind of gou…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…under), sound engineer Andy Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arrived on time at Entebbe at 22.30. We didn’t have the same delays at customs as the Ketebul team and we were at the airport guesthouse with a Nile Special (and their daily supply of one Pringles can) in hand before midnight. It felt good to be back on Ugandan soil in the familiar environment of the Airport Guesthouse. An early…
Music Depositories and Archives around the World News
…Hugh Tracey – whose efforts to record African music can be found in the History blog – in 1954. What is particularly significant about this African Music archive is that it is actually in Africa; on its website, it boasts the accolade of ‘The Largest Archive of African Music in sub Saharan Africa’. When it was originally founded by Tracey, it was located in the Gauteng province of South Africa but, when Tracey died in 1977, private funding had dri…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …