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FAQ’s Page

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…gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our s…

Page

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…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project,  If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have.  SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…

Day Zero: 6 March 2022 – Travel To Stream Story

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…al aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video section was manned by Patrick (Sapat) Ondiek assisted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settle…

Field Recording Report by Kahithe Kiiru Story

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…is is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds. The group performed 5 songs accompanied by virtuoso dancers who performed, individually or in pairs, a dance centred on pelvic movements. We also recorded our influences artists – Fadhilee Itulya, performing one of his original c…

Global Influences Project: Loop Library Page

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…icularly impressive, with ongeng’o rings used both by themselves, and also together with the Nyangile, a wooden box topped with two of the rings, one of which is held with the feet, and beaten with a stick. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Nyatiti Group – 158BPM Another wonderful Nyatiti group led by Okumu Korengo who is cons…

Recording Resources Page

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…isit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please do get in touch if you find these helpful!…

2. Naizungwe Drums – progress report 1 Story

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…wever, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://youtu.be/66qF_RYumJM…

Day 2: Sunday, 2017 February 19th Story

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…ould like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it, you will drink it. Kiingereza (English) This is Leo’s song from his album, Bangili (bangles) This was a wonderful day of recording for three reasons:…

Day 1: Saturday, 2017 February 18th Story

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…g to recreate that one riff. It took me three months of non-stop listening to get it down. And that was just 30 seconds of his lifetime of drumming. All I want to do is master his style.” As Daudi mentioned, Mzee Morris became the sound of Tanzanian news. The TBC announced each hour with a drum riff of his drums. Every hour, for decades. He was honoured in his time, with the then Prime Minister creating a specific post for him, so he could continu…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…y grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: ht…

Fundraiser for Matthew Watmon News

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…followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appre…

Our journey to the Royal Drums: in the words of James Isabirye Story

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…a chance to interview James Isabirye about how and why we found ourselves together. This is a summary of that conversation, roughly in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a car that seemed to be driving as fast and far left to right on the road as forward. Betwe…

Ketebul Music presents Shades of Benga Online News

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…Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here.   Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba wa…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We sang every song we knew. We sang the whole night. We were learning about our cultures and rituals as we sang but we didn’t know that. We were just singing. I was reminded on Day 3 that this is their way of life and it is pure joy. This was very deep. SW: What most concerned you? GT: What really concerns me is that the resources we have at…

The History Of Benga Music: A Report by Ketebul Music Story

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…with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement and sectioning mark benga apart from other music. Luo guitarists long cultivated a unique technique of playing the guitar. They commonly do not massage the strings as their Congolese counterparts do but rather they pluck and pick single notes rapidly in a fashion akin to playing a nyatiti—the traditional lyre of the Luo people. Benga is undoubt…

Central Uganda: Day 5 – Jinja to Kampala Story

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…he three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: She is a senior member of Nile Beat Artists and is vice president of the cultural association in my university. During her school life she was best dancer in 2007 and 201…