2. Naizungwe Drums – progress report 1 Story
…aking comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizung…
Day 4: Tuesday, February 21st, 2017 Story
…session for a further five. Here’s the full group including Henry, Rajab, Tomato and Leo: Here’s Tabu: Here’s Ndahani: Here’s Grace: Part one: We recorded with Chibite players only: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He…
Day 2: Sunday, 2017 February 19th Story
…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…
Day 1: Saturday, 2017 February 18th Story
…reating a specific post for him, so he could continue drumming for all visitors to the government. Because he was blind, he was invited to perform with specific women groups, of songs for women by women, of songs that no males could see. Every day we will tell more about Mzee Morris and his music (see picture below). We will also talk about his legacy and the attempts of his family and fans to keep his name and his music alive. Like all Singing We…
Our journey to the Royal Drums: in the words of James Isabirye Story
…knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musisi, a drummer that had played at the palace. Musisi h…
Recce to Tanzania for our 2020 Field Visit News
…artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts from their database. Getting a private crash course on the ganun from ganun virtuoso and teacher Rajab. In a few previous instances, the importance of Singing Wells is emphasised when someone we record passes on some time after we record them. We were reminded even more of th…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…e proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…rum In the first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, he is tying the top skins to the bottom skin through a series of stitches that wrap around the drum. The top is pulled evenly down about two inches over the lip of the top. The bottom is a more uneven cut and so sometimes…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…g the trumpeters Interviewing James in more detail about his life and work to restore the Bigwala trumpets. Part One: detail on the instruments The Bukakaire Bigwala Players are made up of three separate groups of musicians: the trumpets, the drums and the xylophone. Let’s look at each in turn: The Bigwala trumpets These trumpets are made of long gourds and a trumpet group is made up of at least five trumpets (or more), each of which plays a speci…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. While we were sitting there, his assistant came in and reported that the soldiers had broken into the palace and were in the Queen’s gardens. The King asked him to go out and report any news. He came back 10 minutes later and said the soldiers were now far closer having broken in…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…my village life. When we gathered for big celebrations, the entire village took to the road to walk for miles to a central location. We walked all night. And we sang all night. The old people walking with the children, all of us singing. And now we have a nice road that probably gets us to that site in 20 minutes by car. But what have we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We san…
The History Of Benga Music: A Report by Ketebul Music Story
…g’ Kabaselleh, a Luo pop artist who occasionally teamed up with Laban Juma Toto, formerly of the Hodi Boys band, to produce some of the best rumba melodies sang in the Luo language. Kabaselleh’s love for rumba saw him adopt the name of Congo’s celebrated pioneer musician, Joseph Kabaselleh ‘Le Grand Kalle.’ Some of Ochieng’s sons like Babu Kabaselleh and Reggie Kabaselleh are now well-known musicians in their own right, same to his siblings who ma…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…. I Love You Kanini Mukabi This is the son of the great omutibo player George Mukabi; we recorded 5 songs with him all of which were his father’s: Mutoto Si Nguo Ram Lus Tunga Kweli Nougo Om ulanga Wa Muka Kunywa Kidogo …
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…brant performers, racing all over the place. When we tried to contain them to get good vocals, we lost the explosive force of the drums. When we let them run wild it was pretty difficult to get a good vocal or audio take. Also, we were accidentally constraining them by asking them to go through their songs one by one, when in fact, what they loved to do was race through all the songs at once, in a single act. We finally sorted through all this tho…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…d the boys are told it will help them with the circumcision. They are then told to march to the site of the circumcision itself – in Steve’s case, this was a hike to his grandfather’s village. Along the way, the boys are shouted at and pushed around by other men. Women and boys are meant to stay back, and if they do get close to the young boys under-going the ritual, the boys are meant to try to beat them up. The boys are naked but have a Chinyimb…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…did this twice, once with and one without the ladies humming (they needed to hum to get the beat right). Kangema Urban Women Group The group is led by Jacinta Njoki Mwangi and formed in 2006. The group plays in thee Gitiro style – the dance performed by women during ruracio, a dowry payment occasion. Gitiro: led by Jacinta Njoki. Ndumo (ya iritu): led by Jacinta and Mary Njoki. Kibuthi: led by Jacinta Njoki. Kangema Mwomboko Dancers The group is…