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2. Naizungwe Drums – progress report 1 Story

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…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…

Day 6: Thursday, February 23rd, 2017 Story

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…t Mzee Morris when I was younger and saw him play.   I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, because his drums was used hourly to announce the news. I spent three months trying to learn the drum riff he used. I could never understand how a blind drummer could remember where all 10-12 drums were.  Amazing.” Here’s Daudi: https://youtu.be/rrFWtOiWZx4…

Day 2: Sunday, 2017 February 19th Story

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…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…

Day 1: Saturday, 2017 February 18th Story

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…. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….

Our journey to the Royal Drums: in the words of James Isabirye Story

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…are? This matter has concerned a circle of my friends deeply since around 2003 and we’ve all tried to deal with it. I have a circle I talk to all the time about this, including Julius Kyakuwa, Centurio Balikoowa, Haruna Walusimbi, Sarah Mukyala and Cornelius Mwima. We all understand that without intervention, somehow, all this music – all this culture will die. But we also know that the issue will always be resources: how do we bring new resources…

Central & Eastern Uganda: Day 4, Part 2 – Flutes Story

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…ul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the Kingdoms of Uganda. 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s g…

Recce to Tanzania for our 2020 Field Visit News

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…ances, the importance of Singing Wells is emphasised when someone we record passes on some time after we record them. We were reminded even more of the importance of Singing Wells when we received the news of the death of a musician who we were set to meet that afternoon, Taarab Singer, Mzee Makame Faki. A brilliant musician and our thoughts are with his family and friends….

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…song-writing. Are all instruments the same? Here we are less sure. The xylophone is extraordinary and continues to thrive outside of palace life. Xylophones didn’t disappear in Uganda village life after the fall of the kingdoms in 1966 because they were part of village life. We don’t need to rediscover the xylophone and we are fairly sure it is not on the endangered list. Contemporary Ugandan musicians are incorporating the xylophone into contempo…

Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story

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…n his quest to track down surviving members of the musician corp. The good news is that there are some. The bad news is that the group is declining rapidly. In some cases, we refer to musicians as the ‘last surviving’ musician. This is based on James’ best reckoning, having tried for years to find others. Neither James nor the musician involved wants the title of ‘last surviving’ and we would love to be proven wrong. Musisi is looking for more dru…

Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story

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…the bottom and will wrap up from the bottom of the drum and end up about 50% up the drum’s length. So this piece was about 30% larger than the drum’s bottom, which is smaller than the top. 5. Stage one of stringing the drum In the first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, h…

Central and Eastern Uganda: Day 2 – Kampala to Jinja Story

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…dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd seeds and started coordinating farmers to grow the next generation of trumpets. There are now four trumpet groups and about 20 trumpets, with many more growing in the fields in different parts of Busoga. Everything about the Bigwala model has become…

Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story

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…s gardens. The King asked him to go out and report any news. He came back 10 minutes later and said the soldiers were now far closer having broken into new rooms closer to where we were. The King asked him to go out again and find any other news. The man didn’t return and the King told me that meant he was killed and we must run. Soldiers were everywhere. He grabbed me and we ran through several palace gates and came into one of his Throne Rooms (…

Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story

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…nga. Centre: James Isabirye We have been working closely with James since 2013. During a conversation with James and Albert Ssempeke in 2013, we talked about reviving the Entenga, the Royal Drums of the Buganda Kingdom. Along with flutes, trumpets, strings and xylophones, the Entenga were part of a set of ‘royal instruments’ and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace…

The Return of Bigwala News

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…ch were thought to have been lost, to be rediscovered and grown. Now over 100 students have been trained in building the instruments, and have played at two royal celebrations. There seems to be a promising future for this important thread in the tapestry of Uganda’s cultural history. Sources: https://www.atlasobscura.com/articles/ugandan-music-bigwalahttps://ich.unesco.org/en/news/uganda-young-ugandans-mobilized-for-safeguarding-bigwala-music-and…

Entenga drums perform with Akadinda Xylophone News

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A year ago we brought you the news of Entenga players performing in front of King Ronald Metebi at the 25th anniversary of his coronation (available here). At this event they also performed a piece with the Akadinda xylophone in front of the Asantehene (the monarch) of the Asante people from Ghana. A recording of this performance has just become available, and is posted below https://youtu.be/CCQ72al2pEo Fore more information about the Entenga dr…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…rely lets us scratch the surface. We did 5 songs per group, but they have 100. We could have had a dozen people come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a…