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Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Day Zero: 6 March 2022 – Travel To Stream Story

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…ians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wher…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Conclusion: Challenges and Recomendations Story

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…mention issues raised by several team members. It is our hope that common findings and understandings would arise, leading to betterment of future Masters programmes’ concepts and field recording missions. Surely the most obvious difficulty we had to deal with is the time limitation. The entire programme was shot in 11 days, which included master classes and a studio session in Nairobi. Considering the ambitious amount of information we wished to…

The Kalenjin of Kenya Album

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…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

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…itional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project,  If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have.  SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here yo…

Royal Entenga Drummers Group

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Along with flutes, trumpets, strings and xylophones, the Entenga were part of a set of ‘royal instruments’ and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace and instruments were destroyed, the King exiled, the royal musicians disbanded and much of the music forgotten. But in 2015 James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was ju…

Global Influences Project: Artist Submissions Page

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…what they created just from a percussion sample is amazing! If you want to find out more about Jay P Production, follow them @jay.p_production_kenya NG’AT MALER X OTACHO YOUNG STARS//NYATITI GROUP//WATMON CULTURAL GROUP We are loving this track from Ng’at Maler who utilises several different loops for his submission. He told us how the project has really impacted his current workflow when making new music, making sure to include African sounds, an…

Day Two: 8 March 2022 (Ilesi) Story

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…o see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the nearby Ilesi center. We returned to the Josephine Garden just in time for the…

Day Three: 9 March 2022 (Kisumu) Story

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…ng session went uninterrupted and was completed shortly before 6:00pm. The last group to be recorded was the newly formed Asego Ensemble. These musicians travelled all the way from the southern side of the lake and had to wait for the whole day for their turn to record. By the time they came on stage at 8:00pm, they were rather fatigued but started their show with cover songs of other established groups and switched to their own compositions at ou…

Upendo Jazz Group

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…(drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel,…

2. Naizungwe Drums – progress report 1 Story

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…llowed out and the skins have been formed. One of the early milestones was finding a tree out of which to craft the largest of the drums, no trivial task given the size and type of tree required. Here is our first video, James Isabirye talking about the tree and introducing the project: https://youtu.be/bZUxKhTGmCA The lead drum maker is called Muhamudu Kaziba (in the left of the video above). He comes from a famous family of drum makers from Kala…

Day 2: Sunday, 2017 February 19th Story

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…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…

Day 1: Saturday, 2017 February 18th Story

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…s a note for him. He picked the skins for the drums and made them himself, finding in each the perfect tone. I have studied his music over years and I still can’t believe what he could do.” In Dar es Salaam we talked to Daudi Fernando Joseph, drummer for the Umoja Wa Kusini dance troupe about how Mzee Morris inspired his music: “I met him at 10 years old but had listened to his drums all my life – his drums are used to announce the news on Tanzani…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…le’s identity and associations with the Bigwala-playing community. You can find the full report on the Sage website here: https://journals.sagepub.com/eprint/EBNMQEBVD9ECYMFJF8EP/full Professor Isabirye’s extensive work in reviving lost instruments so that they will be passed through future generations doesn’t just stop with the Bigwala. He was a vital part of restoring the Royal Entenga Drummers, and is currently working on a project to restore t…

Our journey to the Royal Drums: in the words of James Isabirye Story

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…had was that we could reach Musisi through his sister-in-law. Now I had to find Musisi. He said his sister-in-law lived in Kasawo. Well it took me forever to find that village. After crossing swamps and taking wrong turns I kept asking for the village. Finally I found it and started asking for the sister-in-law. I found her and had only one question: is Musisi alive? He was, she said. But he lives in Kiboga which was about three hours away. She ga…