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…on our site – such as embedded videos from YouTube, may also cause cookies to be saved to your machine. The other services we use on our site include Facebook, Twitter and Flickr. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the s…
Day Four: February 19, 2020 (Maruhabi Palace) Story
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace and circular ponds with lily pads. It’s set in a beautiful location along the coast surrounded by mango trees. We met the first group there…
Day two: From Sirisia to Mabuyole Falls Story
…had a Magic Moment with just percussion from the group. We then travelled to Lugulu to record Plus Wafula. We were in a stone quarry to record them next to Mabuyole Falls. Beautiful but hot. We were recording Webuye International Band. They played in the Tinkikti style. The group was formed in early 2000, when founder Webuye Juakali was a backup singer for separate band. In 2009 he became the main singer of the band. It has the following instrume…
Kidedeya Group
…Freestyle Magic Moment: Omusingero again…
Tarajazz Group
…henge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has…
Day Zero: 6 March 2022 – Travel To Stream Story
…he musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audien…
Kirundo Group
…been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They sang in a combination of Hehe and Kigogo, both languages from mainland…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
2. Naizungwe Drums – progress report 1 Story
…aking comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizung…
1. Introducing the Naizungwe drums Story
…lected on the basis of high skill to avoid wastage of time. We will listen to the recordings together with the youths. Then we make sense of what is played in the recordings. After that, we will play the rhythms slowly until we can reproduce them. Then we will add the singing. This can be done by any musician who is hard working. We hope the final performance will be a reflection of our musicality and what we hear in the recording.” We will be doc…
Day 5: Wednesday, February 22nd, 2017 Story
…ars. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to p…
Day 3: Monday, 2017 February 20th Story
…yles and instruments die. But another mission is to bring these traditions to new audiences, allowing new artists to work with traditional artists to bring new life to these sounds and movements. So, we want the grandson of Mzee Morris to work with current artists like Leo, Sophie and Elliot. We want Leo, Sophie and Elliot to be inspired by Rajab and Henry’s music and hopefully they will bring these styles to new audiences. This theme is critical…
Day 2: Sunday, 2017 February 19th Story
…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…
Day 1: Saturday, 2017 February 18th Story
…background in our recordings. We are also here to try to bring this music to new artists and audiences, to show how it can inspire and inform more contemporary artists. This is why we always bring ‘Influences Artists’ with us on each trip and this is why our nights are filled with ‘hotel’ recordings where our ‘Influences Artists’ are reworking songs with the more traditional artists we discover in the villages. In Mission 2, we are ‘fusionists’,…
Our journey to the Royal Drums: in the words of James Isabirye Story
…I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira, one of the best drum tuners, to tune them (see our Field Report for more detail on tuning). I felt I was on a race for time to have new musicians learn these drums. I told Musisi, ‘please teach our boys 100 songs.’ I told Shaban, ‘you must learn every part and every song.’ And th…
Ketebul Music presents Shades of Benga Online News
…low, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shap…