Matia Kakumirizi Group
…ning sleep and about hard working women. Unlike those days when women used to wait for men to provide for everything, nowadays, they wake up early and go to work. “Olugend’olw’ebukakkata”: He went to visit a village called Bukakkata. He found a girl who was seeing two men who didn’t know each other. She was still in her parents’ home so she was not allowed to be seeing men. One day, the parents found a man peeping through the window and canned him…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Our Sponsors Page
…Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south…
Twone Mbee Group
…tempting the position because it is already taken by the one they are praising. ‘Nzembanie na ivinda’: (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….
Hiari Ya Moyo Group
…the youth to be brave in facing the challenges in everyday life Mwanana: a song in praise of one’s friend. Lyuwa Laloka: it is sunset and time to conclude whatever business and return home to your family…
Day Two: 8 March 2022 (Ilesi) Story
…o brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the ne…
Kidedeya Group
From Kagera, Kidedeya was formed in 2005 or 2009, and performs in the Omusingero style. Their instruments are: Ng’oma (Drums) and Nyimba (Shakers). This was a group of wonderful dancing and costume changes. Every song a new and wonderful outfit. We recorded six performances: Omusingero: A song about playing the drums and dancing Nchuma: A song about traditional music that the elders love to play Mrondogomo: A wedding song Kidedeya: A send off son…
Karambi Sanaa Group Group
…From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). is…
Singing Wells Sampler 2011 – 2013 Album
This is a special sampler album put together, which contains some of the best recordings and tracks we have made as part of the project. It includes field recordings, influences recordings made in the field, influences recordings made in the Ketebul studio in Nairobi and a special collaborative effort between Abubilla Music and some of the musicians recorded by The Singing Wells project.
Serengeti Group Group
…where the two lead dancers ‘nodded’ their head in almost a trance like way to the music and to their large eight-stringed instrument. We were mesmerized. Their instruments included the: Zeze, Virandi (shakers), and Ritungu (eight stringed instrument, huge Nyatiti). The group had three musicians in ‘red’ and two dancers in ‘white.’ The dancers were performing a ‘head nodding’ dance which was mesmerizing and was extremely unique. The athleticism of…
Richard Sewanyana Group
…o play the flute in the palace but he was aging and wanted a family member to continue to play. I tried to play with him all the time and learned a few songs. In 1966, I was taken to the palace as a servant boy. My father also wanted to play the flute and replace his father. But he tried to play and failed to learn. But he pretended to play at all performances, acting like he was blowing the flute while his band-mates played. My father was in the…
Kidinda Cultural Group Group
…Music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. Original group founders are: Sulayiman Sserubiri and Kiwuwa Buruhan The group are from Kidinda, Uganda…
Shitakha & Balozi Band Group
…ses Alusa. Their style is Milbo. They use drums and shiriri, but also a Shikhorli which we haven’t seen before. This is a shaker/bell, where two ball bearings of different sizes/tones are welded into metal pouches and then he plays. Moses is considered the best Shikhorli maker in the area. Here’s the band….
Jackie Akinyi Group
…n 1998, she started singing with Jambo Star Band of Mwanza Town, and while with them, she composed her song known as “Wawili Wawili” in the year 2000. After this song did very well on the Kenyan market, she decided to move to Kenya. It was during the years 2004 and 2005 that she met Tabu Osusa (a music producer), who invited her to Ketebul Studios, where she recorded her first album titled KUNDI, featuring 8 tracks….
Mariene Traditional Dancers Group
…ong is about herding… He asks a woman for thin porridge which is kept in the gourd during long trips away. He meets someone else that wants the gourd and dies with it. In the song he calls for those who will really listen to what he has to say (this is the wonderful refrain at outset) Magic Moment: Simon doing gospel interpretation of Mariri. Magic moment: Arabamba mwarone as vocal solo with lead vocalist Magic moment: Kibere (Shakers)…
Kumbaka Asee Group
… Kumbuka Asee: The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu (Kamba tradition). They were formed in 1974. They use two drums called Kilumi, played by Makai King’ei and Koka Mbindyo. They played two songs: Itinga Levu…