Conclusion: Challenges and Recomendations Story
…side from showing the differences in how the elders play as opposed to the younger generation, we should encourage closer collaborations and the creation of a network that could surpass the SW project itself. In order to do this, we should extend the master classes duration to one week (5 working days at least) and consequently enable younger players to learn much more on the tuning, playing techniques, traditional tunes and the culture behind the…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…eign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The largest drum is the leader and it comes in once in a…
Day 1 – Saturday 1st July 2017 Story
…opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming economically. According to what was explained by Rapasa, who also ma…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Nile Beat Artists Group
…ath. The song is about what his father told him before he died. “Ebibira”: This song talks about the dangers of deforestation. The forest is where the spirits of the fore fathers can rest. If you destroy the forests, you destroy their homes so they will be loitering around and the living won’t have any peace….
Recording, archiving and sharing the traditional music of East Africa Page
…ed in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field trips,…
Here for Research? Page
…them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy releva…
Page
…project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here you will find a selection of musical loops by artists such as Otacho Young Stars, Adungu Cultural Troupe, Watmon Cultural Group and more… Remember that we want you…
Bigilia Group Group
…Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it, you will drink it. Kiingereza (…
Super Phoenix Band Group
…y first played together. Specifically, it refers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they are the real owners. Mukangala instrumental as influences ses…
Elgon Ngoma Troupe Group
…to preserve the traditions of Eastern Uganda to the rest of the world. ——– You can contact Julius at juliuswolimbwa@gmail.com or PO Box 2254 Mbale, Uganda You can find the Troupe on Facebook here. You can watch a video about the group here. Some of the musicians we recorded were: Bikumbi Yusuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circum…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…s the Dhow and we will refer to them as the DCMA. Third, musically, what you hear in Zanzibar is a wonderful fusion of Arabic music and African beats, with a bit of Cuban and Indian spices. The Dhow Countries. The most important and famous of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, wh…
Bigwala Cultural Group Group
…en someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need…
Albums Introduction Page
…the tracks on the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the eve…
Imachina Group
…telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the young men to be brave and go forward. Magic…