Otieno Aloka Group
…ument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in fo…
Privacy Policy Page
…pean Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the screen. The Cookies that we use are very much standard and in the true spirit of Abubilla Music and the foundation, we like to be open with you about our methods and how and why we do things. We want to make you aware of this…
Day Zero: 6 March 2022 – Travel To Stream Story
…he musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audien…
The Best of Singing Wells 2011 Album
…A collection of some of our favourite tracks from our trip in 2011. NOTE: some of the tracks on this album also feature on the release ‘The Batwa of Kisoro’ under different titles. …
2. Naizungwe Drums – progress report 1 Story
…aking comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizung…
1. Introducing the Naizungwe drums Story
…lected on the basis of high skill to avoid wastage of time. We will listen to the recordings together with the youths. Then we make sense of what is played in the recordings. After that, we will play the rhythms slowly until we can reproduce them. Then we will add the singing. This can be done by any musician who is hard working. We hope the final performance will be a reflection of our musicality and what we hear in the recording.” We will be doc…
Day 4: Tuesday, February 21st, 2017 Story
…session for a further five. Here’s the full group including Henry, Rajab, Tomato and Leo: Here’s Tabu: Here’s Ndahani: Here’s Grace: Part one: We recorded with Chibite players only: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He…
Day 2: Sunday, 2017 February 19th Story
…Uganda, where all ages participated and you had a feeling that the young people still really enjoyed the traditional dances. Here, the women are discussing how best to perform their dance for Sophie: And that was day two. A short drive back to the hotel….
Day 1: Saturday, 2017 February 18th Story
…So, we’ll tell you about these missions in these field reports, trying our best to record accurately the songs, performers and instruments. We welcome all corrections as we recognize that there will be mistakes. With that out of the way, let’s begin. We arrived in Dar es Salaam Tanzania at 0815AM (yes, our departure from Nairobi was early!). The full Singing Wells crew is sleepless. The Abubilla Music Foundation Crew (Jimmy, Hunter, Sophie and Ell…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…estoring the Royal Entenga Drummers, and is currently working on a project to restore the lost lyre, the Entongooli. You can read more about this project on our website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report…
Our journey to the Royal Drums: in the words of James Isabirye Story
…knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musisi, a drummer that had played at the palace. Musisi h…
Ketebul Music presents Shades of Benga Online News
…ode 2 of their online series Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music st…
Recce to Tanzania for our 2020 Field Visit News
…February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts from their database. Getting a private crash course on the ganun from ganun virtuoso and teacher Rajab. In a few previous instances,…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…ad rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and all they did was play music. In most cases they received no other education and in most cases they played until they could play no more and their ‘retirement pension’ was the salaries of the sons or grandsons they were able to train and bring into the palaces. Their musical lives were…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…e proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I…
The Entenga Drums: Part 1 Story
…le for the drums’ revival. James Isabirye met with Musisi and they set out together to revive the drums. They worked with Shaban, a professional drummer, and John and Albert Ssempeke, who have kept many royal instruments alive, to relaunch the drums. Essentially, this took four major steps: Rebuild the drums: they needed to re-assemble the drum kit, building each of the 15 drums and re-making the Enga, the sticks used to play the drums (named afte…