Day Five: January 22, 2019 Mwanza Continued Story
We returned to the same location (Kagera Bukoba) as yesterday to record three groups: Group 1: Karambi Sanaa Group: From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song ab…
Our Sponsors Page
…Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south…
Day two: From Sirisia to Mabuyole Falls Story
…had a Magic Moment with just percussion from the group. We then travelled to Lugulu to record Plus Wafula. We were in a stone quarry to record them next to Mabuyole Falls. Beautiful but hot. We were recording Webuye International Band. They played in the Tinkikti style. The group was formed in early 2000, when founder Webuye Juakali was a backup singer for separate band. In 2009 he became the main singer of the band. It has the following instrume…
Recording Resources Page
…field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please…
Global Influences Project: Loop Library Page
…ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Downloa…
Day Four: Ikolomani to Amalemba Story
…gs around a “Bull Fight” or Mayo Dance Woyo: The song you sing as you move to the venue to watch two bulls fight Ndulu Mumbo: The song you sing to celebrate the winning bull Songs around a funeral (Lwikhulu): Tsimbasi Tsia Mama: A song to console the mother who has lost a loved one. Mwoyo Kulimbila Mwikulu: After you die your heart will be able to rest. Songs for weddings (Shiselelo) Nukhufwale Maua: Giving flowers to the bride after the wedding W…
Recording, archiving and sharing the traditional music of East Africa Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Super Phoenix Band Group
…our influences artist. We don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….
Introduction: Project overview and objectives Story
…hall therefore constitute the main argument of this report. Hence, the day‐to‐day field report contained herein is of a narrative nature and does not focus on the details of collected data, which will be presented in a finer ethnographic report to follow. “Masters of the Nyatiti” focuses on the nyatiti, an 8‐string lyre originating in the Luo community on the shores of Lake Victoria in Western Kenya. Most of the field recordings this report is bas…
Days 6 to 8 – Thursday 6th July 2017 to Saturday 8th July 2017 Story
…umé of those days’ activities is included in the form of short notes: Day 7: Recording of the making of obokano, an 8 string instrument from the Kisii ethnic community demonstrated by Dominic Ogari, a music instructor at Kenyatta University in Nairobi. Day 8: Saturday 8th July 2017: Recording of an in‐depth interview with John Otieno ‘Rapasa’, our fixer who had previously travelled to Lake Region with us. In this interview he explained his persona…
Watmon Cultural Group Group
…Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. T…
Day 5 – Wednesday 5th July 2017 Story
…ical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He rem…
Day 3 – Monday 3rd July 2017 Story
…ation also revealed a more ‘liberal’ usage of many different types of wood for the resonator (ex. afene, maembe, ondero, mugombra) as he said he could basically use any “as long as it’s strong and the right size”. Another interesting piece of information gathered during this interview was Sewa’s description of the small pointy decoration on the bottom of the resonator we had previously referred to as ‘the nipple’. According to him, this is in fact…
Days 10 to 12 – Monday 10th July to Wednesday 12th July 2017 Story
…John Otieno ‘Rapasa’, Gabriel Oduor, Walter Koga and Meshack Okoth Okumu. Day 11 – Tuesday July 11th 2017 (as per team’s report): Studio recording of the two master players ‐ William Omondi Ogutu & Odondi Diel Matara and of Meshack Okoth Okumu; done at Ketebul Studio, GoDown Arts Centre (Nairobi). Day 12 – Wednesday July 12th 2017 (as per team’s report): Recording of a nyatiti class for children, held by Rapasa at a private residence in Karen (Na…
Bigwala Cultural Group Group
…Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO website….
Eridat Makwiri Group
…ning to the husband. The message in the song is to not wait for everything to be done for you. “Paulo Wawanyera”: This is someone’s name, meaning Paul, son of Wawanyera. Paul was a chief. He visited certain places and found they had made him party with lots of food and drink. He actually visited his brother in law who was jealous of him as a chief. So he decided to poison him. The singer is trying to warn Paul that his death is coming. “Sinairi Mu…