Day 1: Saturday, 2017 February 18th Story
…So, we’ll tell you about these missions in these field reports, trying our best to record accurately the songs, performers and instruments. We welcome all corrections as we recognize that there will be mistakes. With that out of the way, let’s begin. We arrived in Dar es Salaam Tanzania at 0815AM (yes, our departure from Nairobi was early!). The full Singing Wells crew is sleepless. The Abubilla Music Foundation Crew (Jimmy, Hunter, Sophie and Ell…
Our journey to the Royal Drums: in the words of James Isabirye Story
…rted to practice. We didn’t have drums at first, we just worked on the xylophone that uses much of the same structure. And over time the professor, Musisi, and the students gradually developed a great relationship and are so committed to each other. Then I had to order the drums. I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira,…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…endangered list. Contemporary Ugandan musicians are incorporating the xylophone into contemporary songs. We do need to record the best village players and make sure others can find them, but there is probably a ‘market.’ Bigwala trumpets At the other extreme, the Bigwala horns of the Busoga kingdom or the trumpets of the Buganda kingdom are unlikely to enter the musical mainstream. They are ceremonial instruments and in some sense need a king – t…
Recce to Tanzania for our 2020 Field Visit News
…e Singing Wells team has been travelling through Tanzania in search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts fr…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…w if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Kyobe Finally, we had a brief discussion with Kopliano Kyobe: “I was born in Ggavu on the main road. I learned to play the xylophone (Amadinda) as a young boy and they took me to the palace in 19…
The Entenga Drums: Part 1 Story
…cks much thicker than the Enga. These drums are tuned like the Ugandan xylophone, each with a different note, following the pentatonic scale. Within the set of 12 drums, the third drum from right, the third smallest, is the home note, the ‘1’ for any key. Initially, tuning requires endless adjustments of the ropes that tie down the drum skins. But on a minute by minute basis, the drummers are fine tuning through a combination of water on the skins…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…olks roads, modernise them. But Singing Wells has discovered in fact – the best sustainable development is to keep folks rooted in their villages and the best villages are those with a vibrant musical community. This puts the soul, the software at the top of the developmental agenda. Have folks realised this? SW: What is your advice to us? GT: In the context of the vital importance of this, I ask myself ‘what is the future of this?’ What if there…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…nts and vocals that will be used and make sure these have appropriate microphones and will be seen by the video team. The purpose of Video 2 is to zoom in on these performances so we want our ‘leads’ stationed close to Video 2 if possible. Song Length Our first job is to record the song as written no matter the length. But it is very common for the groups to honour the Singing Wells team by extended their songs – this is a huge complement to the a…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…sical styles. While this is being done, the video team picks the site (for best visual impact, performance area, quietness) and then audio and video set up as a single team. Song Recording The interview team then gives the gives ‘Mr Clapperboard’ the song list and introduce the group to the audio/video team. Mr Clapperboard then confirms each song with the group leader, writes down all group/song/take information, and kicks of song. In order, audi…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…Our best day. We never leave the hotel but create new music with wonderful vistors: Matia Kakumirizi, Passy and Charles from the Kika Boys Cultural Troupe, Jovah and Jacinta….
A Tanzanian Effort to Salvage the Music of the Past News
…tchy tune, conveying information about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archives are other historical gems, includi…
Central Uganda: Day 6: Kampala to Entebbe Story
…rp, where there are only 3 master players) and the endongo (Bow Lyre). His best moment was playing for Ronald Mwenda Mutebi’s wedding in 1998. The band members include: Kigozi Daudi: Emburtu (big drum) Steven Ssebuufu: Amadinda and endingidi Kyakonye dodovic: Engalabi (long drum) They played seven songs: Ggangalwa: A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king. He was pun…
Central Uganda: Day 5 – Jinja to Kampala Story
…the cultural association in my university. During her school life she was best dancer in 2007 and 2010 in high school, and best dancer in her university in 2010 and 2011. Musoke Meddy: He is a senior member of Nile Beat and the treasurer in group. Meddy was voted the best dancer in the Uganda in 2004 and in 2008. The Group performed five songs: Ikobo Kobo: The name is a type of herb. It is a song about a girl who is very bitter because her mother…
Central Uganda: Day 4 – Jinja Story
…ed a few beers and stayed in one of the cottages telling stories about our best Singing Wells moments, only some of which had to do with the music. The group then divided roughly along age lines on the fundamental issue of fish vs. sleep. Tabu, Jimmy, Andy and Vicki voted sleep and we had food delivered to our cottages, ate and went to bed early. Steve, Patrick, Jacinta, Nick and Robert voted fish and went off the local casino for ‘the best fish i…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…anzi, pan pipes The performance was simply spectacular. Our search for the best xylophone players in Uganda is declared over! What a group. Obutasoma (Education), with lead singer Muniru Ayubu Obwiire Bukyeire (The Time Has Come), with lead singer Kisubi Eliasa Magic Moment: We loved the xylophone and asked the group to replay a minute of Obwiire Bukyeire, with only the xylophone. We asked Vicki to climb in next to the bass notes, so she could get…