Global Influences Project: Artist Submissions Page
…r process, Jay P Production said “We have always believed in selecting the best drums and sounds for each genre and that’s what we did here and we really appreciate you guys for believing in us.” We think what they created just from a percussion sample is amazing! If you want to find out more about Jay P Production, follow them @jay.p_production_kenya NG’AT MALER X OTACHO YOUNG STARS//NYATITI GROUP//WATMON CULTURAL GROUP We are loving this track f…
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…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
1. Introducing the Naizungwe drums Story
…c and the performances. In the case of the naizungwe, however, despite his best efforts, James has been unable to locate any surviving old players who can facilitate a similar education. As a result, he is hoping to work alongside Haruna Walusimbi of Nile Beat Artists to reconstruct the performances directly from the recording he received from Peter Cooke. James tells us: “Nile Beat Artists is a semiprofessional group of musicians that include hig…
Day 4: Tuesday, February 21st, 2017 Story
…t one: We recorded with Chibite players only: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He then told the story of another tree, the Mninga, which is a very rare tree out of which the best marimbas are made. He was in the market…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…So, we’ll tell you about these missions in these field reports, trying our best to record accurately the songs, performers and instruments. We welcome all corrections as we recognize that there will be mistakes. With that out of the way, let’s begin. We arrived in Dar es Salaam Tanzania at 0815AM (yes, our departure from Nairobi was early!). The full Singing Wells crew is sleepless. The Abubilla Music Foundation Crew (Jimmy, Hunter, Sophie and Ell…
Our journey to the Royal Drums: in the words of James Isabirye Story
…rted to practice. We didn’t have drums at first, we just worked on the xylophone that uses much of the same structure. And over time the professor, Musisi, and the students gradually developed a great relationship and are so committed to each other. Then I had to order the drums. I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira,…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…endangered list. Contemporary Ugandan musicians are incorporating the xylophone into contemporary songs. We do need to record the best village players and make sure others can find them, but there is probably a ‘market.’ Bigwala trumpets At the other extreme, the Bigwala horns of the Busoga kingdom or the trumpets of the Buganda kingdom are unlikely to enter the musical mainstream. They are ceremonial instruments and in some sense need a king – t…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…w if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Kyobe Finally, we had a brief discussion with Kopliano Kyobe: “I was born in Ggavu on the main road. I learned to play the xylophone (Amadinda) as a young boy and they took me to the palace in 19…
Recce to Tanzania for our 2020 Field Visit News
…e Singing Wells team has been travelling through Tanzania in search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts fr…
The Entenga Drums: Part 1 Story
…cks much thicker than the Enga. These drums are tuned like the Ugandan xylophone, each with a different note, following the pentatonic scale. Within the set of 12 drums, the third drum from right, the third smallest, is the home note, the ‘1’ for any key. Initially, tuning requires endless adjustments of the ropes that tie down the drum skins. But on a minute by minute basis, the drummers are fine tuning through a combination of water on the skins…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…olks roads, modernise them. But Singing Wells has discovered in fact – the best sustainable development is to keep folks rooted in their villages and the best villages are those with a vibrant musical community. This puts the soul, the software at the top of the developmental agenda. Have folks realised this? SW: What is your advice to us? GT: In the context of the vital importance of this, I ask myself ‘what is the future of this?’ What if there…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…nts and vocals that will be used and make sure these have appropriate microphones and will be seen by the video team. The purpose of Video 2 is to zoom in on these performances so we want our ‘leads’ stationed close to Video 2 if possible. Song Length Our first job is to record the song as written no matter the length. But it is very common for the groups to honour the Singing Wells team by extended their songs – this is a huge complement to the a…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…sical styles. While this is being done, the video team picks the site (for best visual impact, performance area, quietness) and then audio and video set up as a single team. Song Recording The interview team then gives the gives ‘Mr Clapperboard’ the song list and introduce the group to the audio/video team. Mr Clapperboard then confirms each song with the group leader, writes down all group/song/take information, and kicks of song. In order, audi…