Ekhunjwe Musical Group Group
…organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their Chairman Mr. Bwire…
South Teso Jazz Group
…is string sound is complemented with a home-crafted drum-set they refer to as akicheketin their vernacular language. This is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds….
Matia Kakumirizi Group
…e Parish in 1966. He is now 70 years old, lives in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He still plays the guitar he has had since 1972. He was recorded in 1971 in the Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Song meanings “Abapangisa”: featuring Passy Nassonko from the Kiki Boys Cultural Troupe. The song talks abou…
Bungoma Roots Band Group
…School, in the Michimeru Village. Wilbert and his school friends formed a band and competed with other school bands. They were quite good and had all their school fees paid for. During breaks from playing at the school they took up ‘Marketing’ and showed up at any events that were being held. The band members held day jobs, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard…
Umoja Wa Kusini Group
…mwezi. All the dancers where a necklace called Simbi, made of cowry shells and a ‘skirt’ around the waist called a Kibwaya. Their smaller drums are Dali Dali and larger drums are Mapipa. They also use the marimba. They played 9 songs, 5 regular performances and four ‘magic moments’: Mkwaju Ngoma: actually four songs in one. About a child going back to his village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of…
Eridat Makwiri Group
…e who had prepared the food tried to keep the food away from the lazy wife and the lazy wife would go complaining to the husband. The message in the song is to not wait for everything to be done for you. “Paulo Wawanyera”: This is someone’s name, meaning Paul, son of Wawanyera. Paul was a chief. He visited certain places and found they had made him party with lots of food and drink. He actually visited his brother in law who was jealous of him as…
Ndagwa Msanga Group
…ibe to embrace and appreciate their culture. Their style of music makes up all the musical styles of the Wagogo community. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…
Kaniini Kaseo Group
…d 3 songs, all of which use the Ileve (tin shaker, played by Mumbi Wambua) and Vilingi (whistle): Mutambo wa iiu: This means the trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a political leader in the area. The song praises the politician and asks the people to vote for him – he’s Kyonekana na nengwe. His name means, “if seen give it to him”. Kolleji or College: This is sung in the Itheke…
The Luo of Kenya Album
…whose image graces the album cover, are featured, as are the Kanindi Jazz Band and Josey Kokeo, performing a special collaboration. As an added extra, also on the album are ‘influences tracks’, recorded in the field. Ketebul Music artist Winyo collaborated during the recording sessions, and included is his work with Ogoya Nengo, Josey Kokeo (as noted above) and The Kochia Traditional Dancers. In March 2012, we invited the Otacho Young Stars to Nai…
Mission Page
…c in Kenya, a non-profit organisation committed to identifying, preserving and promoting the diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to toda…
Omong’oluk Traditional Dancers Group
…s….
Albums Introduction Page
…ng Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experie…
Kangema Mwomboko Dancers Group
…i Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (the metal ring). The group played 5 songs plus one magic moment: Mwomboko Ndongomothi Kariara Rumba Jeki Mag…
Camera Group
…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
What We Do Page
…he Mijikenda. Since then we have completed more field visits in both Kenya and Uganda. Our long term goal is to visit each country in East Africa and research, document and record the music and dance of the major traditional music styles of each region. Click on the following links to read our field reports from each of our visits: Music of the Mijikenda – Kenya’s Coastal Region Music of the Luo – Nyanza Province, Kenya Music of the Kalenjin, Grea…