Day One: The Iteso People and their Music Story
…moit: A song praising everyone that is not part of this community. He sang of East African countries and different ethic communities, welcoming them all Elolo Idalo: A song about praising someone who is doing well. Abalang’a Kimusa: A song about a salt shortage from years back, when they learned to burn certain plants to create salt taste from the ashes. Obasie switched to the Ageregere and played three songs: Omaune: This song is about a greedy m…
Day 9 – Sunday 9th July 2017 Story
…h represented by a master musician: Nyatiti – represented by Samson Otieno of Bomas of Kenya; Obokano – represented by Dominic Ogari; Litungu – an 7 string traditional lyre from the Luhya community, represented by Jackson Ingosi (Ingosi Junior); Kodo – represented by Olith Ratego who created the instrument; Classical guitar – represented by Peter Akwabi. Aside from the classical guitar, which served as a perspective on comparing different traditio…
Day Three: Bungoma Town to Kakamega Story
…g exactly when the rains came crashing down on us. While they had a couple of traditional songs, most of their performances were to allow students to feature specific instruments. Songs were: Mwana Wa Mbeli: famous Lua Song about first born child. Luseno: a song to feature the Shirili (which are these?) Pelele: A local beer, this was great song sung by band leader solo. Isukuti Drums: song featuring the drummers Tsing’oma: Shirili Instrumental We…
Here for the Music? Page
…Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music traditions continue to be practiced, can…
Unyago Group
…e British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her the…
Mohamed Uthman Kidumbak Group Group
…movement where they moved their hips and buttocks completely independently of the rest of their bodies. They wore a sash around their hips to accentuate the movements. Songs: Ewe Mwana Mimi Nakwambia – this means Hey baby, listen to me. A love song telling the woman he loves, Mwana, to be patient Yalait – Love song to Yalait, a woman’s name Hongera Mwanangu – Congratulations my child, used for weddings to congratulate the newlyweds or the bride. M…
Recording, archiving and sharing the traditional music of East Africa Page
…terested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field t…
Here for Research? Page
…de this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or…
Otieno Aloka Group
…ya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by fin…
Bigwala Instrument
…eed of Urgent Safeguarding: Bigwala music and dance is a cultural practice of the Basoga people of Uganda, performed during royal celebrations such as coronations and funerals and, in recent decades, on social occasions. Bigwala describes a set of five or more monotone gourd trumpets blown in hocket to produce a melody, accompanied by a specific dance. A typical performance begins with one trumpet; other trumpets then join in followed by drummers,…
Day 7: Friday, February 24th, 2017 Story
…hile at Nafasi Art Space, we met Rebecca Corey, who is the Director of the Tanzanian Heritage Project. This project is similar to Singing Wells, but as she said, the ‘preservation role’ is more physical – she is working to preserve all the physical recordings of Tanzania musicians, many of which are rotting away on dusty reel to reel recordings. And that is it. We then rushed to the airport to depart to Nairobi for a weekend of recording at Ketebu…
Day 3: Monday, 2017 February 20th Story
…girls’ school fees in exchange for sex, to stay away. She attributed much of the rise of this phenomenon to the breakdown of village traditions and the fact that the women in the villages are no longer teaching young girls about the ‘ways of men.’ To be clear, she also blamed the men!] We talked to one of the female dancers, Zaituni Salum, about the reality behind the dance. She was kept in her hut for about 3 years as were most of the women danc…
Day 1: Saturday, 2017 February 18th Story
…ris’. He was born in 1920. At two years old, he lost his sight as a result of a bout of small pox. He died in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but he’s also carrying a melody. And he uses 10-12 drums…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https:…
Our journey to the Royal Drums: in the words of James Isabirye Story
…re running out of time. My first step was to meet with James Lugolole, one of the oldest survivors of the Bigwala, the trumpets for the Busoga King. We talked about the problems: no one played the music, no new musicians knew the trumpets, farmers had forgotten how to grow the gourds used to make the trumpets, and the seeds were lost. That conversation started everything. We needed to revive these trumpets. I got UNESCO support, I got Singing Well…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…ail some of our observations from our time exploring the royal instruments of the Kingdoms of Uganda. 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings. Part two: the flutes So, let’s close this chapter of Singing Wells with music and here we’ve come full circle. We are back with Albert…