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Day Three: Bungoma Town to Kakamega Story

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…ias, we travelled about 10 kilometers to another village to record Matungu United. Matungu United was founded by Richard Ometi, who is a Head Teacher of a local school, teaching sciences and also teaches students in traditional African instruments. The band was filled with various students, each learning to dance, sing and/or play a traditional instrument, including on the day: Fimuka: Shakers Lidungu: stringed instrument Isiriri: Single string in…

Group 6: Sudi Mavenge Story

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…who also sings and today he played percussion. Sudi’s other guitarist also used a set of drumsticks as his own percussion, tapping them together for a beat. We recorded the following songs: Ku Minini – this is a story about a boy who loved a girl, but they lived far apart – she was in Ku Minini and he was in Rwesero. The boy wouldn’t choose anyone local but instead would travel far to Ku Minini to go and see his love. Gakoni Kabakobwa (Girl’s Prid…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…lated to taarab.  It is less refined and more upbeat!   Musically it falls between Taarab and Ngoma..[and is] typically played..with two small clay drums, a violin played in a frantic fiddler style, a sanduku (or the bass) and the cherewa, a kind of shaker made from coconut shells…”   We will meet this style on our second day, group one:  Mohamed Othman Kidumbak Group Unyago:    This is music by women by women and was used during rites of passage…

Our Sponsors Page

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…3 field recording visit which included accommodation at the Airport Guesthouse and the use of their 4×4 truck and wonderful driver, Musa. www.gorillatours.com   Anne Wright, The Wright Approach Type of sponsorship: Field Recording day in Kenya, Music of the Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp   Insti…

Ayub Ogada Group

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…he clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much dif…

Day 5 – Wednesday 5th July 2017 Story

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…he clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much dif…

Day Two: February 17, 2020 (Stonetown) Story

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…hili these songs don’t tell you directly what they are trying to say. They use metaphor and analogies. Here the message is: “Don’t insult the midwife because you might need her again.” The song is about not taking cassavas for granted.  Kidole Chauma Sana – translates to “My Finger is Painful.” Again, this is not the direct meaning. It’s a naughty song with sexual connotations about the man’s hand being worn out.  Urithi Group – Group of 10 young…

Day Four: February 19, 2020 (Maruhabi Palace) Story

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…aarab influence. They sing for weddings, celebations and the harvest. They use traditional Zanzibar drums: Vumi – a tall, narrow, large drum based on the floor, Kinganga – a short medium sized drum, a Bati – a high hat, a Chapuo – a long narrow drum held under the arm, a Dutu – a smaller version of the Chapuo and Masewe – shakers worn on the legs. The most notable instrument was a type of horn made out of a gourd.  Performers (all men): Shaaban Mw…

Support Singing Wells Page

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…nd their songs and dance will be recorded by our field team. Funds will be used to provide for two field-recording engineers from Ketebul Music, a non profit organisation in Nairobi and our project partners. Your donation will also provide for gratuity payments to the individual music groups, which they can use to help them continue practicing and performing in the future. The songs and videos we record from your sponsored day will be archived and…

Day Five: January 22, 2019 Mwanza Continued Story

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…mbe (MP), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015.  He is now a Patron of  the Cultural Yamnyausi Foundation.  That evening both Ministers hosted a fund raiser for the Foundation and invited Singing Wells members as special guests.  We were gr…

Day One: January 18, 2019. Assemble in Tanzania Story

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…when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try to do two versions of the song. Magic Moment: For many songs, we find there is a moment of amazing percussion, or dance, or other instrum…

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…heri amukeni tucheze tunaenda (good bye dance) – songs 4 and 5 song as one Freestyle: We then recorded the band in freestyle. https://youtu.be/XoaHli19b2U One observation from Day One: These groups have the energy and youth of many of the groups we recorded in Uganda around Lake Victoria, which makes a lot of sense as these groups are from areas very close to Uganda.   What you feel when you record these groups is that the music here remains very…

Aynu Traditional Group Group

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…y were originally known as the Madi, their current name perhaps came to be used after the intrusion of the Khartoum Arab slaves in the second half of the 19th century. Their origins are described in relation to their belief in mythology: with God’s creation of Meme and the universe. The first two human beings Gboro-Gboro (male) and Meme (female) are said to have been superhuman. Some traditions only speak of Meme, whose womb God filled with the li…

Day One: February 16, 2020 (Ngawala Hotel) Story

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…style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer and singer), Raya Abdalla (drums), Fatima Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The dru…

Day 6: Thursday, February 23rd, 2017 Story

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…yle of Mzee Morris We then interviewed Daudi about Mzee Morris: “I met Mzee Morris when I was younger and saw him play.   I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, because his drums was used hourly to announce the news. I spent three months trying to learn the drum riff he used. I could never understand how a blind drummer could remember where all 10-12 drums were.  Amazing.”…

Day 3: Monday, 2017 February 20th Story

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…t tried to teach an 8 year old Leo some of Henry’s riffs, because Henry refused. Isaac used to pull down Henry’s acoustic guitar from the rafters of his hut in their southern village Makua while he was travelling. It was only when Henry heard a 12 year old Leo play a song that he had learned on his own that Henry agreed to teach him. But even then, Henry only agreed to teach him if Leo promised not to pursue music professionally. It was Leo’s mom…