Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…nd motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 y…
Privacy Policy Page
…he little cookie triangle in the bottom corner of the screen. The Cookies that we use are very much standard and in the true spirit of Abubilla Music and the foundation, we like to be open with you about our methods and how and why we do things. We want to make you aware of this without being too intrusive, so we feel this is the best way to do it. You’ll also notice that all sites are starting to do it. The directive says that functions that are…
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…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…
Day Five: February 20, 2020 (DCMA) Story
…them all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman…
Recording Resources Page
…field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please…
Ayub Ogada Group
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Global Influences Project: Loop Library Page
…Ohangla Drum Solo – 146BPM Aloka Ohangla are based in East Alego, Kenya. What you need to know as you listen is the drummer was drumming without a chair, doing deep squats and jumping about a foot off the ground with each ‘kick’ – this went on for four minutes. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ohang…
Support Singing Wells Page
…ssion. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the track, plus a commemorative…
Day Four: February 19, 2020 (Maruhabi Palace) Story
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace and circular ponds with lily pads. It’s set in a beautiful location along the coast surrounded by mango trees. We met the first group there….
Day 5 – Wednesday 5th July 2017 Story
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
FAQ’s Page
…either volunteers or are personally funded. No third party donor money is used to support their expenses). Who owns the Singing Wells recordings? The ownership of the original songs remains with the performers who receive a performance gratuity from Singing Wells. They give consent for us to publish the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use of Sing…
Tarajazz Group
…henge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has…
Global Influences Project: Artist Submissions Page
…more of the genre.” We love that this project is inspiring modern artists to use these traditional rhythms, sounds and beats to influence their upcoming work. You can follow Kimani on instagram at @devonte6749 BEATS BY MAGGY X RUBANGA KINGDOM AWACH BOYS This week’s submission for the #GlobalInfluncesProejct is another amazing track that makes you want to get up on your feet! We love this submission from Beats by Maggy, a producer based in Nakuru,…
Day 6: Thursday, February 23rd, 2017 Story
…Victoria Park After a late night at the concert, we got up early and drove to Victoria Park to record Umoja Wa Kusini, lead by Francis Daudi Njawa (Chichi). Victoria Park is similar to a park we used in Kampala. It contains many village huts built in many styles. Umoja Wa Kusini is about 13 years old and is a very experienced dance troupe of the Mdomdu style. They are originally from the village of Msanga and the Wanyamwezi. All the dancers where…
Day 3: Monday, 2017 February 20th Story
…here the porters who were carrying massive loads to be shipped finally got to stop and rest. Near Bagamoyo is the village of Kimara Ngombe where we recorded Toroka Uje, a drum and dance band. Toroka Uje Toroka UjeWe arrived just as they were tuning their drums, by fire, and quickly interviewed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tom…