Global Influences Project: Artist Submissions Page
…and arpeggio and I was really happy with how the rest of the elements came together in this piece.” To hear more work from Ng’at Maler, you can follow him at @ngatmaler MAKOSSIRI X ALOKA OHANGLA We love this brilliant submission from Kenyan techno artist, Makossiri. Describing herself as “A true rebel from the outerworld who defies boundaries through her genre bending sound grounded in African rhythms with a futuristic twist”, we loved how she too…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden wat…
Support Singing Wells Page
How you can sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us sup…
Makunga Group
…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden water…
Day Five: January 22, 2019 Mwanza Continued Story
…, Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats along, without his brother’ Ntelela Engoma: A song about living with respect to traditional ways Basigazi Fura Emyende: A song about overcoming all of…
Field Recording Report by Kahithe Kiiru Story
…is is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds. The group performed 5 songs accompanied by virtuoso dancers who performed, individually or in pairs, a dance centred on pelvic movements. We also recorded our influences artists – Fadhilee Itulya, performing one of his original c…
FAQ’s Page
What is the Singing Wells project? Singing Wells is a project jointly operated by Ketebul Music, a non profit music studio in Kenya and the The Abubilla Music Foundation, a UK registered charity. Our goal is to preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and…
Day One: January 18, 2019. Assemble in Tanzania Story
…, ordered our ‘dried fish’ and crashed. This, our second major field visit to Tanzania, begins tomorrow. The Tanzania Team, with Jackie Akinyi A couple of quick background facts: This is our second Field Visit to Tanzania. (Please go here for the first trip) For Singing Wells, a field visit is when we visit a specific region of East Africa and record musical groups in villages. On average, we do one field visit a year, recording roughly 20-25 grou…
Ayub Ogada Group
A musician we choose to bump into frequently is that of Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nya…
Day 7: Friday, February 24th, 2017 Story
…Broadcasting Corporation. They played four songs: Tucheze Sote: Let’s play together Nani Aliyekudanganya: Who cheated you? Maselina which was King Makussa’s big hit recorded in 1991 Kipenzi edita: My love Edita. While at Nafasi Art Space, we met Rebecca Corey, who is the Director of the Tanzanian Heritage Project. This project is similar to Singing Wells, but as she said, the ‘preservation role’ is more physical – she is working to preserve all th…
Day 6: Thursday, February 23rd, 2017 Story
…out being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni Makongwe Malowe Magic Moment 4: Daudi Fernando Joseph plays the drums in style of Mzee Morris We then interviewed Daudi about Mzee Morris: “I met Mzee Morris when I was younger and saw him play. I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, beca…
Day 3: Monday, 2017 February 20th Story
…rse twice a week and play in wedding and other ceremonies. We are also training young kids in our style but we are very worried that the traditional music is dying.” Just as we were blown away by the Snake Dance in the Morris Compound, we were fascinated by Mama Ni Mama, a rite of passage song celebrating that a young girl is ready to be married. Briefly: The basic song, starts with an old women sitting down against a tree. Between her legs is a…
Day 1: Saturday, 2017 February 18th Story
…l take a couple months or so, so please be patient. This is our first trip to Tanzania. For those of you that have followed Singing Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam an…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…Isabirye has recently had a report published, after his in depth research into music learning practices. After extensive work reviving the Bigwala, his report focuses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full repo…
Fundraiser for Matthew Watmon News
We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…
Ketebul Music presents Shades of Benga Online News
…ebsite here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the…