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Day Two: February 17, 2020 (Stonetown) Story

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…g with sexual connotations about the man’s hand being worn out.  Urithi Group – Group of 10 young men dressed in white robes, blue vests and red Fez hats. Their whole group has 20 members. They are a Suki group which originally came from Yemen. However, these men were born and raised in Zanzibar. They had created this goup in April 2019 to sing and perform movements to celebrate the Prophet Mohammed. Their songs consist of chanting praising Mohamm…

Day Three: Bungoma Town to Kakamega Story

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…ventually arrived in Mumias to record Mumias United, a very large dance group. The group was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s. They had lots of dancers and instruments,…

Otieno Aloka Group

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…Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by…

Day One: The Iteso People and their Music Story

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…o. From Adungosi, we travelled to Obekai, to record the South Teso Jazz group. The group started in 1938 by Charles Olado. It is currently led by Patrick Okodoi. We walked through all the band’s instruments first; these are: The Adeudeu: The Six Stringed Bass, that is big enough for bass player and a percussionist who sits on back to play the ‘kick’ drum. You then have the 9 string ‘rhythm instrument, the Seketa and the 9 String ‘Solo’. Percussion…

Here for Research? Page

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…ing information and any related content we have about them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music herit…

Unyago Group

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…e British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her the…

Mohamed Uthman Kidumbak Group Group

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…n 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer. Sanduku , the bass, was a homemade bass made of a large…

Recording, archiving and sharing the traditional music of East Africa Page

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…in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field trips, in…

Here for the Music? Page

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…o see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music traditions continue to be practiced, can be shared a…

Day 9 – Sunday 9th July 2017 Story

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…as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central strin…

Bigwala Instrument

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…nda in December 2013. While staying in Jinja we invited a local Bigwala group, the Bigwala Cultural Group, to perform for Singing Wells. Click here to read our report from the field. Here is an extract from the UNESCO website, explaining about the Bigwala which was inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding: Bigwala music and dance is a cultural practice of the Basoga people of Uganda, performed du…

Global Influences Project: Artist Submissions Page

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…them @jay.p_production_kenya NG’AT MALER X OTACHO YOUNG STARS//NYATITI GROUP//WATMON CULTURAL GROUP We are loving this track from Ng’at Maler who utilises several different loops for his submission. He told us how the project has really impacted his current workflow when making new music, making sure to include African sounds, and we just LOVE that! “Loops are such a great way to start a track for me. They are a great way of finding inspiration,…

Day 7: Friday, February 24th, 2017 Story

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…e This is our last day and we saved it for Henry Mkanyia. Because he is so central to the history of Tanzanian music, we asked Henry to assemble members of his original group DDC Mlimani Park Orchestra. We assembled at Nafasi Art Space, which is very similar to the Go Down Art Center in Nairobi, hosting artists of all kinds from musicians to painters to dancers. Henry brought two members: Hasaan Rehani Bichuka, his lead vocalist and Juma Ubao (aka…

Day 3: Monday, 2017 February 20th Story

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…f camera range tuning their drums as they play. See example: Here’s the Group: The group played 6 songs: Ndio Kwanza (We’re just starting and haven’t done anything yet) Mama Shughuli Yako Tomeiona (Now, you’ve seen how we play) Boga (Pumpkin), or Mboga in the local dialect Nina Ubembeleza Undugu (I’m begging for us to be brothers) Drum Instrumental Mama Ni Mama (A mother is a mother), a coming of age song We interviewed Husein, the band leader, ab…

Day 1: Saturday, 2017 February 18th Story

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…d, doing our best to record traditional groups, songs, and stories. All groups and songs mentioned here will eventually turn up on YouTube (see our current video collection here), as we prepare each of the videos. We will go back to these reports and provide hot links to all of these, but that will take a couple months or so, so please be patient. This is our first trip to Tanzania. For those of you that have followed Singing Wells, you will know…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…ed with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.c…