Central Uganda: Day 4 – Jinja Story
…casional monkey. The staff has been warm and helpful and offered the hotel today as our recording studio. We have been able to set up the computers in the kitchen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala,…
Before They Pass Away News
…only do we want to sustain the musical heritage of East Africa, we want to promote it in today’s world. With this in mind, we’ve been following the work of British photographer Jimmy Nelson with interest, who spent four years travelling to meet and photograph some of the world’s last surviving tribes. His book, Before They Pass Away, is a fascinating insight into these communities’ ways of life. Nelson’s breathtaking photographs capture how these…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…north at Kammengo onto the Mbarra Road to Kindinda – the trip was about 110 kilometers. From Kindinda, we turned right at a trading center and went another 10 kilometers into the fields, to a small village called Kidinda. The Recording Site: The village had one cement single story home, one stable (with a small and very loud cow tucked in the back) and one angry bull tethered to the middle of the grounds. Chickens hung about ready to provide back…
Music Depositories and Archives around the World News
…nd Andrew Tracey Collections available for online access. There are over 12000 30 second recordings from the 1930s, 40s and 50s. The archive grants access to anyone who is interested and is not restricted to academic or research purposes. The physical archive at Rhodes University is open normal business hours, unless special arrangements are made. 2. Global Music Archive This archive is housed within the Anne Potter Wilson Music Library in Vanderb…
A History of Recording East African Music News
…Fellowship grant to study South Rhodesian music, with which he made over 600 recordings, and inspiring traditional English musicians, Ralph Vaughn Williams and Gustav Holst, at the Royal Academy of Music, who urged him to “discover every chord” of traditional African music, Tracey ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realise…
James Isabirye and Tabu Osusa Discuss East African Music News
…other issue. Part of the problem we have is our ‘everything now’ culture. 50 years ago, if you got a job, you knew that if you worked hard and stayed with the job and got promoted you could buy a home for your family, or a car. Or help your children to be educated. Once you got a job, you knew not to lose it. Now people work for a little bit and then quit and they complain about how hard life is. I tell them, “Why did you stop the job? You just lo…
Preserving Threatened Heritage News
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences.” And it is always great to hear of stories where others are attempting to do the same, especially in countries so close to our heart, such as Uganda. An article on the website of the Ugandan daily newspaper, New Vision, warns about the need to preserve ‘Bigwala’, the royal music of the Busoga region. Bigwala music is performed at ceremonies such as corona…
The Birara Batwa Community Story
…Singing Wells project is to make traditional East Africa music relevant to today’s artists and audiences. We want to celebrate and promote the music heritage of East Africa in a contemporary context. We are doing this with ‘Influences’. We were staying at The Traveller’s Rest Hotel in Kisoro and the staff kindly allowed us to set up the studio under the verandah and it was there that we recorded our first ‘Influences’ session – a fusion of Batwa m…
The Key to Sustainable Aid in Africa? Perhaps we should follow the music. News
…a Host of More Urgent Problems: When Tabu and I started Singing Wells in 2008, we were passionate about its mission: to record, archive and share the traditional music of East Africa. Our twin goals were to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. The last five years has only re-enforced our commitment. On our first goal, we only have to rem…
73,603 views on YouTube News
…still counting! It’s not a meaningful number in itself (like a nice round 100,000 – our next target) but it does mean more and more people are finding us and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching! Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi District. It was the very first vide…
The Influences Series from Singing Wells News
…a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Inf…
Music of the Batwa: video playlist News
In November 2011 the Singing Wells team travelled to Kisoro in SW Uganda to record the music of the Batwa, a marginalised group whose music and dance tells the story of their history, culture and the problems they face today. To read the daily field reports from this trip, click here. Video playlist The trip was facilitated by the generous support of donors to our charity the Abubilla Music Foundation, including a grant from the Institute of In…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…tanley on his song Cheri, featuring Macadem. Here’s how the process worked today: Jaybee first worked with Stanley, Bishop and Johnnie to get the basic song structure down and put on a vocal ‘Chorus.’ Stanley wants the song to be a classic love song and the his vocals are really beautiful and sincere. We then asked Nyerere Wa Konde to come in and work on the verses. We asked them to find their best love song that fits the beat and recorded them. T…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…emember that next time it might be you we sing about. Binihare had made the band leader promise to sing in his funeral. Thanks to Bado, the son, for working with his father to give the background; here’s Bado, with Patrick, who we’ve known since the founding of Singing Wells: At about 1900, Tabu broke away with Hannah and Andy to go to a concert while Jimmy remained with the core group to continue recording. The recording group stayed until abou…
Hannah interviews Evelyn Ojok – Acet, Northern Uganda News
…(our style of ‘Apiri’ in Acholi is typically only performed by the women). Today the reason there was a man playing the drums is because one of our women is sick, normally there are no men in the performance. In Gulu when I want to meet with the other women I play drums and they all come, usually in the evening. I want to push the music to it’s highest level so that we can get some sponsorship from NGOs or from the Ugandan Government. I have opene…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ion by the government. We then hinted at problems. Rather than leave at 13:00 to travel to Kampala, we were forced back to Soroti with a broken wheel and only managed to hit the road again at 15:30. So we knew we were in for one of those ‘African Night Drives’ we so often do and so often swear we’ll never do again. We’ve decided night driving in Africa is like child birth. While you’re in the throws of it, you’re swearing to the lord almighty that…