Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…time at the palace. In terms of the music, we recorded the following songs today: Ganga Alula Omusango gw’abalere Mubandusa Ekyuuma kya Bboola Veneneka Olugambo olubuulire Sekanyolya The Drummers In terms of the moment, let’s stress a few things: These drums are magnificent. They are actually 15 drums, 12 of which are tuned to the notes of a xylophone and thus we are hearing a full song – percussion, bass, rhythms and melodies across the six playe…
The History Of Benga Music: A Report by Ketebul Music Story
…Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a steady stream until the 19th Century. Some live in neighbouring Uganda and Tanzania. Today, Benga music is played across a fair share of Kenya—from the lake shores in the west, across the vast floor of the Rift Valley to the slopes of the imposing 5,199 metre Mount Kenya and into the plains of eastern Kenya. From a genre that was previously…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…chieng’ Nelly Mengo Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. The guitar came to Kenya after WWII and inspired a lot of young men who were steeped in village music. One of these was Ocheieng’ Nelly who got his first guitar in 1961 and his playing was shaped by the Luo Nyatiti and a new musical style being developed in the Congo. Specifically, he was taught and inspired by the pioneering Congolese Musician Adolf Banyore….
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ls and that we hope will be useful to others setting up a similar project. Today we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this ca…
A Tanzanian Effort to Salvage the Music of the Past News
…to Rebecca Corey, who started the project in 2010 and still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to fill up that airtime they would send out recording safaris to various rural villages to record these ngoma dances and drumming sessions.” This traditional village music was combined by state-funded bands with the Cuban-flavored rhumba coming in from the Congo. The r…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…hank them now for their patience with us. It is also important to say that today will be more unstructured. We have one formal new group, which we’ll describe below, but we have also invited artists from two of our trips to join us and create new music. For part of the session we were joined by Brad Gibbs from The Mara Group, who had sponsored part of this trip and wanted to see how things were going. Brad was joined by a colleague, Nicolas Farah,…
Central Uganda: Day 6: Kampala to Entebbe Story
…teresting near collisions. Throughout our recording and driving in Kampala today we were surrounded by limping groups of marathoners in bright yellow shirts. The Recording Site We packed and drove east, just outside Kampala to the Kyambogo University, where James teaches. It was a beautiful gated campus, very quiet, big trees, lovely red dirt paths – it seemed to be a preserve for the lovely Ugandan greens and reds we’ve grown to love. Students wa…
Central Uganda: Day 5 – Jinja to Kampala Story
…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…es at Kyambogo to implement our entenga restoration scheme to preserve and promote this traditional instrument for future generations. Students practice entenga drum-chime at Kyambogo in 1968 (Musisi is furthest from the camera) Peter’s research into African music is extensive. “It all began in 1964, a few weeks before travelling out to begin teaching in Kampala, Uganda,” says Peter. “On the stage of the Prince’s Theatre, London, I received my fir…
Central Uganda: Day 4 – Jinja Story
…casional monkey. The staff has been warm and helpful and offered the hotel today as our recording studio. We have been able to set up the computers in the kitchen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala,…
Before They Pass Away News
…only do we want to sustain the musical heritage of East Africa, we want to promote it in today’s world. With this in mind, we’ve been following the work of British photographer Jimmy Nelson with interest, who spent four years travelling to meet and photograph some of the world’s last surviving tribes. His book, Before They Pass Away, is a fascinating insight into these communities’ ways of life. Nelson’s breathtaking photographs capture how these…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…or microphones. We drove 117 kilometers from Mbale to Nakisene (from Mbale south toward Inganga, turning East toward the Kenyan border, just before Buggiri, we turned toward Idudi). The Recording Site: The village was far off road, along a dirt path perfectly suited to cows and motorcycles, but slightly more challenging to big vans of the four wheel variety. But, as always, we made it to the location, passing lovely red-mud huts along the way. The…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…trying to set up (and stay standing up). We were here to record two groups today. The Kidinda Cultural Group Our first group was the Kidinda Cultural Group, which were 8 men who collectively played the Amadinda, a 22 key wooden xylophone. There total group size is 15. The musical style is Kadinda. The group lead is Waswa Hood and he started playing when he was 17. There were two other original members: Kiwuwa Buruhan and Sulayiman Sserubiri. The g…
The repatriation of Kenya’s music heritage News
…gh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells project. Read Bill Odidi’s article about the August project here….
Hitching a ride Story
…icture on our journey from Kisoro to the Birara community while we were in south west Uganda documenting and recording the music of the Batwa. It’s about 35kms by road, most of which is uphill, following the winding road through the stunning, lush countryside. This guy was lucky enough to have a bike and took advantage of the passing lorry. Most people seemed to be on foot and many of the Batwa make the arduous journey to town three times a week,…
Current Leading Figures News
…cause they do not understand the value of culture in providing employment, promoting patriotism, love, hard work, name it. Music for instance speaks to the heart of the person..goes beyond the ears and brain as you might know, science has proved this already. Now, we have a festival annually that singly gives joy to the people in the villages but nobody around here would see value of entertainment in the villages, to the people. Why would anyone c…