Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…enjin, which was the focus area for the Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music arch…
Kirundo Group
Kirundo performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someo…
Upendo Jazz Group
…is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick p…
Day 1 – Saturday 1st July 2017 Story
…ch part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of…
Mission Page
…Kenya, a non-profit organisation committed to identifying, preserving and promoting the diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s…
Day 9 – Sunday 9th July 2017 Story
…g and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos and beliefs surrounding the instrument; etc. We also attempted to establish if there was any contact and exchange between neighbouring communi…
Global Influences Project: Loop Library Page
…common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ekh…
Page
…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…
Influences songs from Singing Wells Group
…e keys objectives of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and al…
Day Five: February 20, 2020 (DCMA) Story
…wo songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks),…
Nile Beat Artists Group
…evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helper her to conceive so the spirits set the condition that she should never play in the rain….
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats. We recorded si…
Recording, archiving and sharing the traditional music of East Africa Page
…terested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field t…
Ekhunjwe Musical Group Group
…the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery ma…
Day 7: Friday, February 24th, 2017 Story
…e This is our last day and we saved it for Henry Mkanyia. Because he is so central to the history of Tanzanian music, we asked Henry to assemble members of his original group DDC Mlimani Park Orchestra. We assembled at Nafasi Art Space, which is very similar to the Go Down Art Center in Nairobi, hosting artists of all kinds from musicians to painters to dancers. Henry brought two members: Hasaan Rehani Bichuka, his lead vocalist and Juma Ubao (aka…
Day 3: Monday, 2017 February 20th Story
…pebbles. Fire tuning is common across all of East Africa. Many traditional African drums are ‘untunable’, so you control tone through heat. You use moisture to loosen an over-tight drum or heat to evaporate moisture on a too-loose drum. Our sessions are typically filled with lots of smoke and video of drummers running back and forth in/out of camera range tuning their drums as they play. See example: Here’s the Group: The group played 6 songs: Ndi…