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Day Three: 9 March 2022 (Kisumu) Story

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…k almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of the oldest form…

Day Four: 10 March 2022 (Rongo) Story

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…f improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to be some arrogant city slickers trying to teach them their own cultures and traditions. Our goal was to build resilience by trying to restructure…

Royal Entenga Drummers Group

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…this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….

Kirundo Group

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…r the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They sang in a combination of Hehe and Kigogo, both languages from mainland Tanzania, as well as Swahili. They had incredible energy an…

The Revival of the Entongooli Page

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…we love most about this project is that it is providing opportunities for free education to these young people, as learning an instrument can provide opportunities for scholarships to local schools. Some of the children here tell us about their reasons for learning the instruments, what other instruments they are learning and how they are enjoying the process. We cannot wait to see their progress and finally watch them perform with this incredibl…

FAQ’s Page

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…n and wherever possible royalties will be paid to the original performers. New Influences material is jointly owned by Ketebul Music and Abubilla Music. Profits arising from the sale of Influences material will be used to support the artists and music projects and aspiring musicians in East Africa. Can I help in some way? We’d love it if you could help – be in in drumming up publicity for our cause or offering to perform some post production of ou…

Day Four: February 19, 2020 (Maruhabi Palace) Story

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…nger), Heri Kombo (drums) Songs:  Mwaludeje – Tradition after the harvest. New composition.  Mjomba –  Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition.   Uringe –  Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition.  They sang in a combination of Hehe and Kigogo, both languages from ma…

2. Naizungwe Drums – progress report 1 Story

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…ded to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting t…

1. Introducing the Naizungwe drums Story

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…by long time Singing Wells partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeav…

Day 5: Wednesday, February 22nd, 2017 Story

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…ord the group Liwambwe. The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they had a character in a mask called a Lipiko, who…

Day 3: Monday, 2017 February 20th Story

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…s and instruments die. But another mission is to bring these traditions to new audiences, allowing new artists to work with traditional artists to bring new life to these sounds and movements. So, we want the grandson of Mzee Morris to work with current artists like Leo, Sophie and Elliot. We want Leo, Sophie and Elliot to be inspired by Rajab and Henry’s music and hopefully they will bring these styles to new audiences. This theme is critical to…

Day 1: Saturday, 2017 February 18th Story

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…had listened to his drums all my life – his drums are used to announce the news on Tanzania Broadcast Corporation (TBC) hourly news bulletins.   At 14 years old, I would sit at my drums just trying to recreate that one riff. It took me three months of non-stop listening to get it down. And that was just 30 seconds of his lifetime of drumming. All I want to do is master his style.” As Daudi mentioned, Mzee Morris became the sound of Tanzanian news….

Our journey to the Royal Drums: in the words of James Isabirye Story

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…the Busoga King. We talked about the problems: no one played the music, no new musicians knew the trumpets, farmers had forgotten how to grow the gourds used to make the trumpets, and the seeds were lost. That conversation started everything. We needed to revive these trumpets. I got UNESCO support, I got Singing Wells support and gradually, we formed a group. Singing Wells filmed them in 2013 and helped us tell their story. We also invested in th…

Ketebul Music presents Shades of Benga Online News

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…ences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by contacting them directly….

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…music. And yet, we all walked away convinced that you will see an exciting new East African artist writing new amazing music with these drums as part of the rhythm section. Are there lessons from this journey? Yes, and the most important of these is our discovery of a single repeatable model to restore these instruments: we refer to this as the Bigwala Model. What James Isabirye discovered from his work to restore the Bigwala trumpets is a five st…

Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story

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…ed in a bus to travel to his house. There was an older man on the bus who knew the village. When he climbed on the bus, he knew Kizito (the boy who’s mum we were visiting and Musisi’s half-brother, shared mother). The gentlemen said that when we reached the village he would bike ahead and tell the village we were coming, so we walked very slowly to the village. But when we got to the village I saw a sight I had never seen before. By the time we ar…