Day One: The Iteso People and their Music Story
…song praising everyone that is not part of this community. He sang of East African countries and different ethic communities, welcoming them all Elolo Idalo: A song about praising someone who is doing well. Abalang’a Kimusa: A song about a salt shortage from years back, when they learned to burn certain plants to create salt taste from the ashes. Obasie switched to the Ageregere and played three songs: Omaune: This song is about a greedy man who e…
Day 9 – Sunday 9th July 2017 Story
…g and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos and beliefs surrounding the instrument; etc. We also attempted to establish if there was any contact and exchange between neighbouring communi…
Day Three: Bungoma Town to Kakamega Story
…a local school, teaching sciences and also teaches students in traditional African instruments. The band was filled with various students, each learning to dance, sing and/or play a traditional instrument, including on the day: Fimuka: Shakers Lidungu: stringed instrument Isiriri: Single string instrument (is this really the Shirili?) Mirembe: Xylophone Olwika: Horn Isukuti: Hand-held ‘conga’ drums Kayamba: shakers Likata: sticks Ikengele: Ring Ch…
Here for the Music? Page
…o see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music traditions continue to be practiced, can be shared a…
Unyago Group
…e British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her the…
Mohamed Uthman Kidumbak Group Group
…oup include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer. Sanduku , the bass, was a homemade bass made of a large box with a small hole cut out in the front. It had a large stick which th…
Recording, archiving and sharing the traditional music of East Africa Page
…terested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field t…
Here for Research? Page
…interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present…
Otieno Aloka Group
…e from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in folk and country music….
Bigwala Instrument
We encountered the Bigwala during our field visit to Central and Eastern Uganda in December 2013. While staying in Jinja we invited a local Bigwala group, the Bigwala Cultural Group, to perform for Singing Wells. Click here to read our report from the field. Here is an extract from the UNESCO website, explaining about the Bigwala which was inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding: Bigwala music…
Day 7: Friday, February 24th, 2017 Story
…e This is our last day and we saved it for Henry Mkanyia. Because he is so central to the history of Tanzanian music, we asked Henry to assemble members of his original group DDC Mlimani Park Orchestra. We assembled at Nafasi Art Space, which is very similar to the Go Down Art Center in Nairobi, hosting artists of all kinds from musicians to painters to dancers. Henry brought two members: Hasaan Rehani Bichuka, his lead vocalist and Juma Ubao (aka…
Day 3: Monday, 2017 February 20th Story
…pebbles. Fire tuning is common across all of East Africa. Many traditional African drums are ‘untunable’, so you control tone through heat. You use moisture to loosen an over-tight drum or heat to evaporate moisture on a too-loose drum. Our sessions are typically filled with lots of smoke and video of drummers running back and forth in/out of camera range tuning their drums as they play. See example: Here’s the Group: The group played 6 songs: Ndi…
Day 1: Saturday, 2017 February 18th Story
…and we’ve not seen it in Kenya or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorro…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ed with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.c…
Our journey to the Royal Drums: in the words of James Isabirye Story
…in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a car that seemed to be driving as fast and far left to right on the road as forward. Between interviewee fighting to keep us alive, and interviewer fighting to stay in the car, we’re lucky we have anything at all… Centre:…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
Dec 30th: the flutes and the closing of the circle with Albert Ssempeke This is our final day in the field in Uganda. Tomorrow we head back to Nairobi to record in the Ketebul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instrument…