Field Recording Report by Kahithe Kiiru Story
…nal relations for a year. However, by then he felt he was already too deep into music – rehearsing, gigging, teaching private guitar lessons, song writing, etc. His parents disapproved him dropping out, but he persisted and felt that he was reaching more people through his music. In 2008, he auditioned for the Spotlight on Kenyan Music project and met Ketebul for the first time. By that point, he had not identified with any musical style. He start…
FAQ’s Page
What is the Singing Wells project? Singing Wells is a project jointly operated by Ketebul Music, a non profit music studio in Kenya and the The Abubilla Music Foundation, a UK registered charity. Our goal is to preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden wat…
Page
…ers and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Glob…
Bukaala Twesitule Troupe Group
…tor Lager. It has contributed to the local economic development because it uses ingredients grown in Uganda. “Abag’ageno”: Talks about HIV and the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are n…
Global Influences Project: Artist Submissions Page
…on the programming of this song. I added a few Techno elements still maintaining the Afro House percussion and groove to compliment the sample. The chord progression was the last touch as it also gave the record color and vibe.” You can follow Shona on Twitter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and…
Day Four: 10 March 2022 (Rongo) Story
…at most of the musicians we interacted with were immediately trying to put into practice some of the suggestions we made to them on ways of improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to be som…
Global Influences Project: Loop Library Page
…brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekhunjwe Musical Group – 1…
Day 6: Thursday, February 23rd, 2017 Story
…out being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni Makongwe Malowe Magic Moment 4: Daudi Fernando Joseph plays the drums in style of Mzee Morris We then interviewed Daudi about Mzee Morris: “I met Mzee Morris when I was younger and saw him play. I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, beca…
Day 3: Monday, 2017 February 20th Story
…rse twice a week and play in wedding and other ceremonies. We are also training young kids in our style but we are very worried that the traditional music is dying.” Just as we were blown away by the Snake Dance in the Morris Compound, we were fascinated by Mama Ni Mama, a rite of passage song celebrating that a young girl is ready to be married. Briefly: The basic song, starts with an old women sitting down against a tree. Between her legs is a…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…Isabirye has recently had a report published, after his in depth research into music learning practices. After extensive work reviving the Bigwala, his report focuses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full repo…
Our journey to the Royal Drums: in the words of James Isabirye Story
…: James Isabirye, Left: Tabu (Ketebul), Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we ar…
Ketebul Music presents Shades of Benga Online News
…ebsite here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…villages that focused on instrument making or villages that focused on training potential musicians for the palaces. This patronage was not free, however, and the resources to fund the palaces and their music ultimately came from the same villages, through taxation and food contributions. Moreover, these musicians were not empowered to create, to lead rich musical lives, to become artists, to use the palace as a stepping stone to develop their ar…
The Revival of Ohangla Music! News
…article about the revival of traditional Ohangla music from nation.co.ke, featuring one of our favourite Ohangla artists, Otieno Aloka. Giving A Trendy Sound To Traditional Ohangla Music Traditionally played at weddings and funerals, the music is having new life put into it by young artists like Otieno who use electronic production, combined with incredible musicianship, to create a whole new genre. Otieno’s song Kanungo Eteko is massive on Youtub…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…ieces – long for long drums, short for short drums. Then you bore the hold into the log,” (the tool used is Ekifumu) “you then let the wood dry in the sun.” Here Abass showed us a wooden ‘pail’ that had the rough outline of a small drum, but needed to be hollowed out. He did this by carving deeply into the wood with a large scraping tool that he used to carve wood from the centre. 2. Cutting the wood to size “You then cut the wood to size” (the sa…