Global Influences Project: Artist Submissions Page
…more of the genre.” We love that this project is inspiring modern artists to use these traditional rhythms, sounds and beats to influence their upcoming work. You can follow Kimani on instagram at @devonte6749 BEATS BY MAGGY X RUBANGA KINGDOM AWACH BOYS This week’s submission for the #GlobalInfluncesProejct is another amazing track that makes you want to get up on your feet! We love this submission from Beats by Maggy, a producer based in Nakuru,…
FAQ’s Page
…either volunteers or are personally funded. No third party donor money is used to support their expenses). Who owns the Singing Wells recordings? The ownership of the original songs remains with the performers who receive a performance gratuity from Singing Wells. They give consent for us to publish the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use of Sing…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Support Singing Wells Page
…ssion. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the track, plus a commemorative…
Ayub Ogada Group
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Page
…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…
Day 5 – Wednesday 5th July 2017 Story
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Recording Resources Page
…field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please…
Global Influences Project: Loop Library Page
…ll visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ekhunjwe Musical Group 153BPM Click here to check out how Global Influences artists have used these loops to create their own pieces of work…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…freestyle recording’ – what we mean here is we allow our three camera operators to ‘roam’ and to ‘release the band’ to dance. We are trying to overcome the somewhat artificial nature of ‘archiving’ where the band is constrained into a single shot. Magic Moment: We loved the percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their c…
Day One: January 18, 2019. Assemble in Tanzania Story
…ese are called: ‘Freestyle’: We work hard to give our groups the space and freedom to sing and dance as they would during a village performance, but there are constraints. Typically we want the group to be seen by our wide camera and many of the musicians have an attached microphone. While generally this isn’t a problem, there are times when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras…
Day 6: Thursday, February 23rd, 2017 Story
…Victoria Park After a late night at the concert, we got up early and drove to Victoria Park to record Umoja Wa Kusini, lead by Francis Daudi Njawa (Chichi). Victoria Park is similar to a park we used in Kampala. It contains many village huts built in many styles. Umoja Wa Kusini is about 13 years old and is a very experienced dance troupe of the Mdomdu style. They are originally from the village of Msanga and the Wanyamwezi. All the dancers where…
Day 3: Monday, 2017 February 20th Story
…here the porters who were carrying massive loads to be shipped finally got to stop and rest. Near Bagamoyo is the village of Kimara Ngombe where we recorded Toroka Uje, a drum and dance band. Toroka Uje Toroka UjeWe arrived just as they were tuning their drums, by fire, and quickly interviewed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tom…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…estoring the Royal Entenga Drummers, and is currently working on a project to restore the lost lyre, the Entongooli. You can read more about this project on our website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report…
Our journey to the Royal Drums: in the words of James Isabirye Story
…layed the music, no new musicians knew the trumpets, farmers had forgotten how to grow the gourds used to make the trumpets, and the seeds were lost. That conversation started everything. We needed to revive these trumpets. I got UNESCO support, I got Singing Wells support and gradually, we formed a group. Singing Wells filmed them in 2013 and helped us tell their story. We also invested in the farmers – James Lugolole is coordinating them to grow…
Ketebul Music presents Shades of Benga Online News
…modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or…