3. Background of the Naizungwe drums Story
…ative units that culminated into the eleven chiefdoms that later united to form Busoga [kingdom]. When the central government abolished kingdoms in 1967, the bigger administrative structures were weakened. Clans remained because they represent people’s birth, life and death. The larger more political structures [ie. the eleven chiefdoms] were demonized by the central government and all meetings at that level stopped. When the top structures died,…
Tabu Osusa Staff Profile
…Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objective is to research, archive…
Ekhunjwe Musical Group Group
…the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery ma…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…he most extraordinary set of customs – human shakers! We recorded seven performances: Intro, Freestyle recording of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain…
Page
…here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here you will find a selection of musical loops by artists such as Otacho Young Stars, Adungu Cultural Troupe, Watmon Cultural Group and more… Remember that we want you to create your own artistic responses using these loops. You could use these loops to create a house track, as…
Hannah Calascione Staff Profile
…ogy at Cambridge University in 2013. She is joining the Singing Wells team for the field visit to Northern Uganda 2012 and has researched the area in great detail, writing reports on the tribal groups and their music and traditional instruments. Hannah will be armed with a microphone as she interviews the musicians and documents their oral histories, providing the all important context for the songs and dances we will be recording in the field. …
Biluli Dutwa Group
…gative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw scho…
Day Five: February 20, 2020 (DCMA) Story
…fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana…
Namaddu Troupe Group
…after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they return home and all is well….
Pius Wafula Group
…ers who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We recorded five of Pius’s original compositions and were amazed with his rough yet mellow voice….
Bungoma Roots Band Group
…s, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard work and managing to record multiple records, they needed to bring in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses of their own….
Albums Introduction Page
…of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in. …
Liwambwe Group
…ader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs:…
Bigilia Group Group
…and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kuse…
Bukaala Twesitule Troupe Group
…s grown in Uganda. “Abag’ageno”: Talks about HIV and the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members…
Bakuseka Majja Matta Group Group
…o is doing well will always laugh at one who is struggling. “Otabona Bukaire”: Even if I am old now, I’m still suitable for marriage….