Influences songs from Singing Wells Group
…ield and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Influences series will refresh the origins of East African music and make it discoverable to a new generation of music fans….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rs ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the sa…
Singing Wells Stories Page
…then to their present home. This group, as with so many others throughout Africa, tell the story of their forefathers through music and dance – the dancers imitating the Nile as it snakes through Africa. To find out more about the day of recording the Marakwet, view the field report. To listen to the music of the Kalenjin, check out the Kalenjin of Kenya. To visit the group page for the Sagat Traditional Dancers, visit their page here. If you hav…
We assemble in Kisumu Story
…mas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu (2016). This is her second Singing Wells field visit – previously she joined us on Singing Wells Masters of the Nyatiti in 2017. With Tuskers and Dried Fish ordered and eaten, with friendships renewed and jibes exchanged…
Tabu Osusa Staff Profile
…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…
Day Three: Bungoma Town to Kakamega Story
…ditional song in three parts where a man goes to visit his daughter in her new home Influences: Fadhilee Itulya, our influences artist, joined Wilbert to play acoustic guitar on another version of Ndirenje. We travelled from Bungoma Town to Mumias (which was a lot longer than it should be as we travelled the wrong direction for 30 Kms, initially.) But we eventually arrived in Mumias to record Mumias United, a very large dance group. The group was…
Privacy Policy Page
…. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the screen. The Cookies that we use are very much standard and in the true spirit of Abubilla Music and the foundation, we like to be open with you about our methods and how and why w…
Kidedeya Group
…Freestyle Magic Moment: Omusingero again…
Recording, archiving and sharing the traditional music of East Africa Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy…
South Teso Jazz Group
Patrick Okodoi and his group – the SOUTH TESO JAZZ are based on the adeudeu– a traditional Teso string instrument. This group plays an interesting folk local sound and is very popular in the area. They combine several adeudeu(arched harps) of various sizes and functions, notably: ADEUDEU BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU – 10-string adeudeu; ADEUDEU SEKETA…
Mission Page
…and with Singing Wells we aim to: Preserve the rich music heritage of East Africa Introduce East African tribal music to a new generation of musicians and music fans Offer tangible and lasting benefits to the musicians and village communities we visit Encourage the development of village music groups, particularly within the young community, and demonstrate that preserving cultural music heritage will help sustain a vibrant and successful communit…
Support Singing Wells Page
…mount you give will help the Singing Wells project bring the music of East Africa to more and more people. We guarantee that your donation to the project will be spent in East Africa helping traditional music groups get on the world music map. Please note, the Singing Wells project is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your…
Day Five: Ilesi, Khayega to Kisumu Story
…en ‘no one is watching.’ He wrote this in March 2017 and it will be on his new album. Shombu: This is a girl’s name and is a traditional song. But he takes it and says, “Yes, you are a beautiful girl, but let me warn you. Many will try to be with you and there is a danger if you are not careful you could catch HIV. Your beauty could be a curse if you are not cautious.” He wrote this in 2010. Umbeba. This means, you are carrying something and is an…
Tarajazz Group
…rs ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the sa…
Shem Tube Group
…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….
Day two: From Sirisia to Mabuyole Falls Story
…brother formed his own band. Weput Khulu Namatete (Samuel) then recruited new members and the band has stayed very active and prosperous, playing in the Tindikiti style. The play at hotels, festivals, weddings, funerals, etc.. In terms of instruments they have: Luengere: Drums Eng’oma: Drums Litungu: Strings They performed the following songs: Kuzula Ni Bora: This is a song that emphasizes that prevention is better than the cure. The singer takes…