2. Naizungwe Drums – progress report 1 Story
…t read our introduction to the project, do so here). A drum maker has been contacted, the correct trees have been sourced and cut down, the logs have been hollowed out and the skins have been formed. One of the early milestones was finding a tree out of which to craft the largest of the drums, no trivial task given the size and type of tree required. Here is our first video, James Isabirye talking about the tree and introducing the project: https:…
Day 7: Friday, February 24th, 2017 Story
…We assembled at Nafasi Art Space, which is very similar to the Go Down Art Center in Nairobi, hosting artists of all kinds from musicians to painters to dancers. Henry brought two members: Hasaan Rehani Bichuka, his lead vocalist and Juma Ubao (aka, King Makussa), his lead guitarist. Juma was nick-named King Makussa because at one time he had to play four instruments at once for a single track session at the Tanzania Broadcasting Corporation. They…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…. This project was the result of the work of a very large team, but at its center is Musisi, the last surviving drummer that we know of. Here is his story, in roughly his words: “My father was the leader of the flutes at the Buganda Kingdom, and as his son, I was trained to play the flutes and eventually joined him in the palace. When I arrived, I found that I loved the Entenga drums far more than I liked the flutes. And every chance I had, I woul…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…Drums of the Buganda Kingdom. Along with flutes, trumpets, strings and xylophones, the Entenga were part of a set of ‘royal instruments’ and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace and instruments were destroyed, the King exiled, the royal musicians disbanded and much of the music forgotten. In 2013, we considered any idea of reviving the Entenga to be very unlikely, b…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Bigwala Trumpets perform for coronation anniversary News
…William Gabula Nadiope IV of the Busoga kingdom. The trumpets can be seen here performing at Budhumbula in front of the Kyabazinga (the elected ruler of the kingdom) and processing behind him. https://youtu.be/HtHhkMrlXWw Read about our contact with the Bigwala players here. James tells us that soon some of the Bigwala players will begin paid jobs teaching the instrument in schools, which is a testament to the continuing success of this project,…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…rls from the local village will feed them, but otherwise there is no other contact. During their time, they are taught songs and told stories about the ritual itself and preparing them for man hood. In Lewis’s case he was taught that he can no longer live with his mother and must never enter the kitchen again, as this was the place for women and children. They are also taught what will be expected of them on the day of the ritual and after as they…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band members, all in full costume, were scattere…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…to Kitui, on the Mombasa Road, arriving at 10:00AM. We picked up our local contact, Dominic Mukora, and drove to the Kiongwe Market to record our first group. Here’s our route: The site passed the first Singing Wells test, lots of chickens and children; we find their noises the perfect backing track for all our recordings. The market structures were beautiful with the typical brick structure, light blue paint and the red earth of Africa bleeding u…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…(Video 3), who is from the Meru ethnic community and has been our primary contact person to support this trip (e mail: lkoome2000@yahoo.com) Raphael Sipalla (Audio 4) our ‘Influences’ artist (e mail: ruffmaud@yahoo.com) We will be interviewing them throughout this trip to provide additional color to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…